The Asia Video Industry Association (AVIA) is pleased to announce the election of two newly elected Board Directors, K. Aravamudhan, Executive Vice President, Public Policy & Legal, JioStar and Vivek Couto, Co-Founder, CEO and Executive Director, Media Partners Asia. Their extensive experience and deep understanding of the media landscape will bring valuable insights to AVIA’s strategic direction and industry advocacy efforts.
K. Aravamudhan and Vivek Couto
The association is also pleased to confirm the re-election of Emily Yri, Vice President, International Marketing, Pubmatic, Desmond Chan, GM – TVBI & Deputy GM (Legal & Int’l Operations), TVB, Joe Welch, Vice President, Global Public Policy, Asia Pacific, The Walt Disney Company and Shonali Bedi, Head of Strategy, Partnerships & Insights – APAC, Warner Bros. Discovery. Their continued counsel and commitment will help continue to guide AVIA through a period of rapid transformation and opportunity for the video ecosystem.
At the same time, AVIA extends its appreciation to previous Directors, Agnes Rozario, Chief Content Officer, Astro and Greg Armshaw, former Senior Director Strategy APAC, Brightcove,for their contributions.
The Asia Video Industry Association (AVIA) is the trade association for the video industry and ecosystem in Asia Pacific. It serves to make the video industry stronger and healthier through promoting the common interests of its members. AVIA is the interlocutor for the industry with governments across the region, leads the fight against video piracy through its Coalition Against Piracy (CAP) and provides insight into the video industry through reports and conferences aimed to support a vibrant video industry.
For media enquiries and additional background please contact:
The Northeast Asia Video Summit 2025, hosted by the Asia Video Industry Association (AVIA), brought together leading media executives, content creators, and technology innovators to explore the future of video in Japan and Korea. Held in Tokyo, the summit showcased transformative strategies in global content production, streaming monetization, and cross-border collaboration.
A central theme of the summit was the global ascent of Japanese and Korean content. In a compelling keynote, Katsuaki Setoguchi, Executive Officer at TBS Holdings and President and CEO of THE SEVEN Inc., emphasized that Japan’s ambition to go global is rooted not in profit, but in cultural promotion. “Storytelling is our foundation,” Setoguchi said, highlighting the success of Alice in Borderland and upcoming co-productions with U-Next. He outlined a formula for global success: strategic IP selection, elevated production budgets, and partnerships with platforms like Netflix and Amazon to reach a global audience. Setoguchi also stressed the importance of long-term regional collaboration, particularly in Southeast Asia, citing their strategic alliance with Vietnam TV.
Yu Sasamoto, CEO of DAZN Japan and APAC Business Development, shared insights into Japan’s evolving sports streaming landscape. With partnerships like Docomo and Meta, DAZN is redefining how fans engage with live sports. Sasamoto revealed that DAZN is set to triple its subscriber base in Japan and is leveraging social media to convert engagement into subscriptions. Sasamoto also shared his ambitions to expand Japanese sports globally by building an ecosystem that blends content, technology, and partnerships to scale across Asia.
Streaming monetization was another hot topic. Joshua Sunghyun Cho, CBO of TVING, detailed the platform’s innovative ad strategies, including impression-guaranteed products and interactive formats like “Watch Together.” Partnering with Moloco, TVING doubled its ad revenue from KBO baseball broadcasts and is now targeting contextual and shopping ads. “Streaming is no longer just premium branding—it’s performance-driven,” Cho said. Nick Chuah, Managing Director APAC at INVIDI, added that addressable advertising is poised to reshape Japan’s TV ad market, with data-driven campaigns delivering measurable ROI and unlocking new value for brands.
Executives from Dentsu, FAST Corporation, and Integral Ad Science also echoed the need for collaboration, standardization, and advocacy to accelerate CTV adoption in Japan. With new smart TVs and platforms like TVer and ABEMA entering the programmatic space, the market is poised for rapid growth.
The summit also addressed the future of anime as a global cultural force. Yuichiro Saito, CEO of Studio CHIZU, and Hideki Henry Goto, President of OKUTAGON LLC, discussed anime’s expanding international footprint. With over half of revenue now coming from global markets, speakers called for new business models, international co-productions, and talent development to sustain growth, with Saito advocating for creative integrity and global collaboration.
In the closing keynote, executives from Warner Bros. Discovery, SKY Perfect JSAT, and A+E Global Media debated the future of pay TV and streaming economics in Japan. While acknowledging the slow decline of linear TV, they emphasized the enduring value of local partnerships and bundling strategies. Japan’s rich history and vibrant culture continue to produce compelling stories, presenting vast opportunities for international partnerships to bring this content to global audiences. The speakers agreed that creative distribution models and co-productions will be key to unlocking Japan’s full potential on the global stage.
The Northeast Asia Video Summit is proudly sponsored by Gold Sponsors Moloco and Publica by IAS, and Silver Sponsors Encompass, INVIDI and TV5MONDE.
Click here for a selection of photos from the Summit.
About the Asia Video Industry Association
The Asia Video Industry Association (AVIA) is the trade association for the video industry and ecosystem in Asia Pacific. It serves to make the video industry stronger and healthier through promoting the common interests of its members. AVIA is the interlocutor for the industry with governments across the region, leads the fight against video piracy through its Coalition Against Piracy (CAP) and provides insight into the video industry through reports and conferences aimed to support a vibrant video industry.
For media enquiries and additional background information, please contact:
The Archipelago Video Summit, held on 9 October in Jakarta, brought together over 150 senior executives from across Asia to explore the future of video in some of the world’s most dynamic markets of Indonesia, Malaysia and the Philippines.
In the opening keynote, Hermawan Sutanto, Managing Director of Vidio, shared how the platform is building a local streaming powerhouse around sports rights and original content to leverage a dual advertising and subscription revenue strategy. Sutanto emphasized that in Indonesia, “execution is everything” while also highlighting Vidio’s aggressive stance against piracy. He also outlined the use of AI in three key areas—hypertargeting user recommendations to drive subscriptions, process automation including customer service, and business innovation such as dynamic ad placement in live sports and local language translation for regional dialects. Looking ahead, he projected that the penetration of OTT streaming in Indonesia could double to 15% within the next five years.
In Reinventing for a Dynamic Future, Jane Jimenez-Basas, President & CEO of MediaQuest Holdings and Cignal TV, highlighted the Philippines’ unique media ecosystem and her vision to build a content-focused platform integrated with telco services. While linear TV continues to hold its ground, the real momentum is coming from streaming. However, with lower ARPU, strategic partnerships—such as device distribution and app launches—are essential to scaling reach and driving sustainable growth. “I’m trying to build a content focused ecosystem not a channel business,” said Jimenez-Basas. And with the success Cignal has had with micro-dramas particularly with younger audiences, Jimenez-Basas also revealed their ambition to produce AI-generated micro-dramas in the future.
Piracy remained a central theme throughout the summit. Gina Golda Pangaila, SVP, Legal, Anti-Piracy & Government Relation, Vidio, emphasized the need for a multi-layered, industry-wide approach, combining defensive measures like DRM and content protection with offensive strategies that enhance the consumer experience and investing in anti-piracy technologies. She also highlighted the critical role of AVIA and AVISI in lobbying governments to support these efforts. Darmawan Zaini, Chief Technology Officer, Vision+, also called for stronger consumer education—especially among younger audiences—and even suggested exploring penalties for those who consume pirated content. Ian Franklyn, Chief Revenue Officer, MainStreaming, echoed the urgency, and stressed the importance of real-time detection and rapid response especially for live content where pirates profit most and content owners face the greatest losses. “Piracy is no longer a nuisance—it’s organized crime. . .The goal is to give back power to the content owner,” said Franklyn.
On the future of satellite video, technology leaders from AsiaSat, MEASAT, and INTEGRASYS reaffirmed satellite’s relevance and cost effectiveness in reaching rural and underserved markets and playing a critical role in bridging the digital divide across Southeast Asia’s archipelagic geographies.
In the sessions focused on monetization strategies, speakers acknowledged that while Connected TV (CTV) adoption in Southeast Asia faces infrastructural and content acquisition challenges, its growth trajectory is accelerating rapidly. Tushar Tyagi, Head of Channel Partnerships, Samsung Ads, noted that the region is poised to leapfrog traditional development stages and move directly toward smart, data-driven outcomes, making education, standardization, and AI-powered addressability essential to unlocking CTV’s full monetization potential. The sessions also explored co-viewing trends and the power of contextual advertising, emphasizing the growing importance of data-driven personalization, with innovations in ad formats and audience segmentation helping to drive engagement across both linear and OTT platforms. Sachidananda Panda, President, Client, WPP Media, summed up the future of streaming with the “three I’s”—Intelligence, Integration, and Impact—underscoring the role of AI, cross-platform strategies, and effectiveness in shaping the next wave of video advertising.
The CEO Dialogue wrapped up the day with Mike Kerr, Managing Director, Asia, beIN Media Group, emphasizing the importance of disciplined content acquisition and strategic partnerships, particularly in sports, while cautioning against overreliance on traditional advertising models. Alexandre Muller, Managing Director APAC, TV5MONDE noted that Asia’s rapid adoption of new technologies continues to inspire innovation, but success requires deep local understanding and collaboration. The dialogue closed with a shared optimism for the region’s future, grounded in adaptability, innovation, and a commitment to building scalable, consumer-centric media ecosystems.
Archipelago Video Summit is proudly sponsored by Gold Sponsors Publica by IAS, Vidio and Vision+ and Silver Sponsors AsiaSat, INTEGRASYS, INVIDI, Magnite, MainStreaming and TV5MONDE.
About the Asia Video Industry Association
The Asia Video Industry Association (AVIA) is the trade association for the video industry and ecosystem in Asia Pacific. It serves to make the video industry stronger and healthier through promoting the common interests of its members. AVIA is the interlocutor for the industry with governments across the region, leads the fight against video piracy through its Coalition Against Piracy (CAP) and provides insight into the video industry through reports and conferences aimed to support a vibrant video industry.
BUSAN, SOUTH KOREA, Sep 23, 2025 – (ACN Newswire) – “Hong Kong Cinema @BUSAN 2025” – a promotional campaign jointly organised by the Cultural and Creative Industries Development Agency (CCIDA) of the Culture, Sports and Tourism Bureau (CSTB) of the Hong Kong SAR Government, the Hong Kong Film Development Council (FDC) and the Hong Kong Trade Development Council (HKTDC) – was held from 20 to 23 September at the Asian Contents & Film Market (ACFM) in Busan, South Korea.
The campaign included exhibitions and networking activities that helped promote Hong Kong film production, strengthening Hong Kong’s position as an East-meets-West centre for international cultural exchange and as a regional intellectual property trading centre. Additionally, the campaign showcased the latest works from Hong Kong and provided a platform for local filmmakers to interact with international industry peers and explore collaboration opportunities.
HKTDC Deputy Executive Director Patrick Lau stated: “We are pleased that the HKTDC co-organised ‘Hong Kong Cinema @BUSAN 2025’ this year, teaming up once again with the local film industry to showcase the industry’s vitality and creativity to overseas counterparts. We aim to build an international exchange platform so local filmmakers can engage with their overseas peers, helping them understand the latest global market trends and gain crucial industry information in an ever-changing environment. Through flexible adaptation, filmmakers can explore new realms of innovation.”
Hong Kong delegation deepens international industry exchange
A Hong Kong Night was held at the Paradise Hotel Busan on 19 September, marking the start of “Hong Kong Cinema @ BUSAN 2025”. The event drew over 600 industry professionals from Hong Kong and around the world, creating opportunities for future collaboration.
Members of the Hong Kong delegation included Sylvia Chang, producer of Hong Kong film Measure in Love, director Siu-Ping Kung and actress Angela Yuen, as well as Hong Kong producers Johnny Wang, Terence Choi, Fanny Chong and Kinnie Cheung. Sylvia Chang was awarded the “Camellia Award” by the Busan International Film Festival, in recognition of her outstanding achievements as a female filmmaker.
In addition to attending various exchange activities organised by the Hong Kong side, Hong Kong producers participated in official ACFM events, such as the Producer Hub. These events also included luncheons, panel discussions and networking sessions, strengthening connections with overseas producers and production companies, while creating opportunities to explore cross-border collaboration.
Exhibition and networking activities propel international cooperation
A Hong Kong Pavilion, funded by the CCIDA and the Film Development Fund (FDF), was set up at the ACFM. Participating Hong Kong film production and distribution companies included Cappu Films Limited, Golden Network Asia Limited, Mei Ah Entertainment Group Ltd, One Cool Pictures Limited and Mandarin Motion Pictures Limited.
Additionally, other visiting Hong Kong film companies and organisations included 32cc Limited, Edko Films Limited, Emperor Motion Pictures, Entertaining Power Co. Limited, Golden Scene Company Limited, the Asian Film Awards Academy and the Industry Office of the Hong Kong International Film Festival Society.
The Hong Kong Pavilion also showcased Hong Kong films that had been selected for the 30th Busan International Film Festival. These included: The Shadow’s Edge, in the Open Cinema section; Measure in Love, funded by the Directors’ Succession Scheme under the FDF, in the Open Cinema section; and Girlfriends, in the Vision – Asia section.
Hong Kong and South Korea forge new path with MoU to strengthen collaboration in film talent development
During the event, CCIDA signed a memorandum of understanding (MoU) with the Busan Asian Film School, with an aim to strengthen collaboration between Hong Kong and South Korea in activities and exchanges to nurture film talents.
HTKDC shared market insights
Representatives from the HKTDC also attended the official summit of the ACFM, the Asian Film Market Leaders Summit. At the Summit, Josephine Lam, Section Head of HKTDC’s Entertainment Industry, Service Promotion Department, engaged in discussions with representatives from major Asian film markets, such as Busan’s ACFM, the Tokyo International Film Festival Content Market (TIFFCOM), the Taiwan Creative Content Fest (TCCF), the Jogja-NETPAC Asian Film Festival (JAFF Market) and the Red Sea Souk in Saudi Arabia. MsLam also shared insights from the Hong Kong International Film & TV Market (FILMART), highlighting its role as one of Asia’s primary film markets.
Several participating companies expressed satisfaction with “Hong Kong Cinema @ BUSAN 2025”, stating that the campaign successfully showcased the strengths of Hong Kong’s film industry to overseas markets. They also noted that the campaign facilitated increased collaboration and exchange between Hong Kong filmmakers and their international counterparts.
The Hong Kong Pavilion, funded by the CCIDA and the FDF, is set up at the ACFM
Guests attending Hong Kong Night included Sylvia Chang, producer of Hong Kong film Measure in Love
Irene Yuen (left), Head (Film Promotion and Facilitation) of the CCIDA, and Kang Sung Kui (right), Director of the Busan Asian Film School, signed a Memorandum of Understanding (MoU)
Hong Kong producers Johnny Wang, Terence Choi, and Kinnie Cheung engaged in exchanges with international industry professionals at Producer Hub of the ACFM
Josephine Lam, Section Head of HKTDC’s Entertainment Industry, Service Promotion Department, shared market insights at the Asian Film Market Leaders Summit
Media enquiries
HKTDC’s Communications & Public Affairs Department:
The Hong Kong Trade Development Council (HKTDC) is a statutory body established in 1966 to promote, assist and develop Hong Kong’s trade. With over 50 offices globally, including 13 in Mainland China, the HKTDC promotes Hong Kong as a two-way global investment and business hub. The HKTDC organises international exhibitions, conferences and business missions to create business opportunities for companies, particularly small and medium-sized enterprises (SMEs), in the mainland and international markets. The HKTDC also provides up-to-date market insights and product information via research reports and digital news channels. For more information, please visit: www.hktdc.com/aboutus. Follow us on @hktdc and LinkedIn
About CCIDA
Cultural and Creative Industries Development Agency (CCIDA) (formerly known as Create Hong Kong) was set up in 2009 as a dedicated agency to lead, champion and drive the development of our creative industries. It also serves as the secretariat of the CreateSmart Initiative and the Film Development Fund.
To further promote the development of arts, culture and creative sectors as industries, the Government of the Hong Kong Special Administrative Region completed the restructuring of Create Hong Kong as CCIDA on 14 June 2024 pursuant to the 2023 Policy Address. CCIDA is playing a more proactive and positive role to strengthen its support for the development of the arts, cultural and creative sectors, including identifying opportunities for the relevant industries and leading creative industries to arrange delegations to various showcases worldwide, thereby exporting Hong Kong’s cultural and creative industries including film, advertising, architecture, design, digital entertainment, music, printing and publishing, and television.
About HKFDC
In his Policy Address in October 2006, the Chief Executive announced that the then Secretary for Commerce, Industry and Technology will co-ordinate the film-related policy, planning and activities, including manpower training, Mainland and overseas promotion, and filming support. From 1 July 2022 onwards, the relevant work is co-ordinated by the Secretary for Culture, Sports and Tourism. In order to support the Secretary and to ensure the policy is in line with the sustainable development of the film industry, the Government established the Hong Kong Film Development Council (HKFDC) on 15 April 2007.
The Film Development Fund (FDF) was first set up by the Government in 1999 to support projects conducive to the long-term development of the film industry in Hong Kong. Since 2005, the Government has injected a total of about $2.9 billion into the FDF to support Hong Kong film industry along four strategic directions, namely nurturing talent, enhancing local production, expanding markets and building audience.
Reinforcing India‘s status as a critical engine for the global Professional Audiovisual (Pro AV) industry, InfoComm India 2025 concluded on 11 September, serving as the definitive nexus for technology innovation, business strategy, and high-level networking. The event brought together an influential convergence of industry titans, policymakers, and enterprise buyers to address key market challenges and unlock new opportunities.
This year’s show saw 28% of technology end users, a 17.2% YOY rise over 2024. The show attendance also saw a marked increase in international visitors from 30 countries, demonstrating India’s rising prominence as a key regional hub for Pro AV solutions and a go-to destination for knowledge exchange, business and networking across borders. 75 high-value Invited Guests from across India and the Middle East, inviting conversations between leaders to forge the future of the industry through multiple vertical markets, which converged through the power of the Pro AV industry.
InfoComm India 2025 was a dynamic hub of activity, featuring (clockwise from top left) expert-led Summit sessions, high-level engagement with dignitaries like Shri. Ashish Shelar, a vibrant show floor bustling with business, and deep learning opportunities for all attendees.
The event was graced by Shri. Ashish Shelar, Honorable Minister of Information Technology and Cultural Affairs, Government of Maharashtra. Impressed with the advanced technology displayed at InfoComm India and the show’s contribution to India’s national goals, particularly the vision of Viksit Bharat – the government’s initiative to transform India into a developed nation by 2047, the Minister commented, ‘I must congratulate InfoComm India for organizing such a wonderful exhibition. The power of technology and the real products which can make a Viksit Bharat… and the way to do this is through smart solutions. This can be clearly seen at this exhibition. Be it a school classroom or a digital office, this digital innovation and technological upgradation have been rightfully displayed here.”
A new US$400 million government budget for India’s Ministry of Culture will drive significant demand for the Pro AV industry. The 2025-26 funding prioritizes the digital integration of heritage sites and the use of digital storytelling to enhance visitor experiences, creating opportunities within a tourism sector projected to be worth US$231.6 billion. This government-led push is already being reflected on the show floor, where a significant increase in registered buyers from key sectors such as live events and entertainment, museum management, heritage sites, and tourism development bodies, all actively sourcing new solutions. Attendees from these sectors include Ramoji Film City, Groove Temple Entertainment, Directorate of Museums, Government of Assam and Madhya Pradesh State Tourism Development Corporation.
A Powerhouse for High-Value Business and Connections
Generating immediate business opportunities, the show’s Invited Guests Program welcomed 75 key decision-makers and specifiers from across the region, including India, Saudi Arabia, Qatar, Kuwait, Bahrain, and the United Arab Emirates. The invited guests contributed more than US$100 million for projects slated for the next 12 to 18 months, connected with exhibitors through curated business matching sessions and guided show floor tours. Hailing from critical growth sectors—including smart cities, urban planning, enterprise, live events, entertainment, and education, the high-caliber delegation included senior representatives from critical growth sector organizations like Larsen & Toubro (L&T), Boeing, Honeywell, IHH Healthcare, Indian Space Research Organization, National Informatics Centre, Oil and Natural Gas Corporation, as well as major integrators like Alpha Data PJSC.
A Hub for High-Quality Buyers and Key Decision-Makers
InfoComm India 2025 was characterized by a strong presence of leaders and project heads from top-tier organizations such as Accenture, Google, Nvidia, Capgemini, HCL Technologies, Bayer, Hyundai Motor, Cognizant Technology, Juniper Networks India; and leading AV channel partners like AVI-SPL, Vega Global, Diversified AV, Hewshott, Actis Technologies, Sigma AVIT, AllWaveAV, and DVI Solutions India.
The show also welcomed key players from growth sectors including those from live events and entertainment, broadcast – Netflix, Times Group, Imagicaaworld Entertainment, LVT Media, Zee Entertainment, NDTV-Profit, WeWork India, Shobiz Experiential Communications and Guardian Media; banking and finance – Deutsche Bank, RBL Bank, BOB Capital Markets, Central bank of India, StockHolding Corporation of India, and Barclays India; and education – Virginia Commonwealth University School of Arts, Jindal Global University, University of Engineering and Management UEM Jaipur. This strong representation underscores the critical role of Pro AV technology in driving India’s rapid technological and economic development.
Meaningful connections and hands-on technology demonstrations defined the business experience, empowering attendees to discover solutions and build relationships that will shape the industry’s future.
Robust Attendance at Summit Sessions Highlights Demand for Quality Learning
The InfoComm India 2025 Summit presented high-quality speakers from 14 countries to demonstrate the future of the Pro AV industry and how it will change the way we experience the world. The summit sawrobust attendance with a 22% increase from last year – reflecting the industry’s immense appetite for top-tier educational content. More than 60 sessions led by over 50 industry experts consistently drew packed rooms and sparked lively engagement.
New Initiatives and Features Deepen Engagement and Deliver Value
InfoComm India 2025 saw the launch of several new initiatives and curated experiences, designed to foster deeper engagement:
InfoComm Smart Tech Stage: Making its debut, the Smart Tech Stage served as a vital hub for education, hosting a full schedule of well-attended seminars on critical industry topics. The stage’s program launched with an opening session that drew over 200 guests and media, establishing it as a key focal point for learning at the show.
Dedicated Demo Rooms: For the first time, dedicated demo rooms allowed leading brands like HARMAN, JABRA, and SILICON RADIO HOUSE to provide attendees with immersive, in-depth experiences of their flagship technologies in a focused and exclusive setting.
Debut of AVIXA Xchange Live: The new feature successfully brought the vibrant online community onto the show floor, becoming a key networking hub and hosting well-attended sessions like the AVIXA Women’s Council, Rising Professionals, and AV/IT Community Meetup.
First-ever in-person AVIXA CTS® Training in India: Underscoring the industry’s strong commitment to professional development, the inaugural in-person AVIXA CTS® (Certified Technology Specialist™)preparation course in India was a landmark success. The class, held in the days leading to the show, was completely sold out, demonstrating immense demand for world-class certification.
InfoComm India 2025 brought together 12,606 unique attendees, including the industry’s most influential leaders, innovators, and high-quality buyers from across India and neighboring countries. The three-day show was a dynamic hub of activity, featuring over 130 new product launches from 200 exhibiting companies spanning almost 9,000 nett square meters.
InfoComm India 2026 takes places from September 16-18, 2026, at Jio World Convention Centre. For more information on exhibiting, sponsorship and collaboration, please visit infocomm-india.com.
About InfoComm Asia Pte Ltd.
InfoCommAsia Pte Ltd. extends its influence through three marquee shows: InfoComm Asia; InfoComm China, Beijing; and InfoComm India. Each show features an exhibition that showcases the world’s most cutting-edge and in-demand professional audiovisual and integrated experience technology solutions and a summit that presents learning opportunities. The shows bring together professional audiovisual industry players and top-level decision-makers from across different markets to tap into the vast potential presented by pro AV solutions.
For more information, visit: infocomm-asia.com | infocomm-china.com | infocomm-india.com
InfoComm India, the nation’s definitive tradeshow for Professional Audiovisual (Pro AV) and integrated experiences, has unveiled a forward-thinking agenda for its highly anticipated Summit. Taking place from 9-11 September 2025 at Jio World Convention Centre in Mumbai, InfoComm India Summit is curated to provide deep insights into the most critical industry trends, from Artificial Intelligence (AI) and unified communications to the future of digital signage and immersive experiences. The Summit provides a roadmap for AV/IT professionals and end-users to navigate India’s fast-evolving digital landscape.
“India’s rapid technological adoption, especially in AI, presents a massive opportunity, and InfoComm India’s role is to ensure our industry is ready to seize it,” said June Ko, Executive Director of InfoCommAsia. “This year, our Summit is laser-focused on AI readiness and industry upskilling. Through hands-on workshops, expert-led sessions developed with our partners, and premier training like AVIXA’s first in-person CTS course in India, we are providing the essential tools for professionals to master these new technologies and drive innovation across all sectors.”
The Summit is set to feature a lineup of more than 50 distinguished industry experts and thought leaders from across India and the globe, spread across over 60 dynamic sessions. This year, the spotlight is on AI – how it integrates into AV workflows, and how professionals can apply it meaningfully across enterprise, education, government, and media environments.
Highlights of InfoComm India 2025 Summit include:
– Industry Leadership and Business Strategy: Opening day on 9 September will address pressing business and technology trends, kicking off with the highly anticipated Opening Panel – “Reimagining Boundaries: The Future of Business & Technology in 2030.” This dynamic session will explore the transformative impact of technologies like AI, IoT, and 5G on business innovation and customer interaction, offering actionable insights and strategic guidance. The distinguished panel features Dave Labuskes, CTS, CAE, RCDD, CEO of AVIXA; Kaushik Mukhopadhyay, Managing Director and CEO of AVID; and Amar Subash, Vice President and General Manager – Asia Pacific & India at Harman.
– Next-Generation Technology Insights: Sessions focusing on how emerging and disruptive technologies are revolutionising the digital landscape include “The Future of AI-Driven Digital Signage: Unlocking Context-Aware Experience”, “Quantum AI Transforming Pro AV and Smart Cities in the Next Decade”, and “Bridging Worlds: Smart AV and Video Conferencing Powering New-Age Learning.”
– Dynamic Panel Discussions: Bringing together senior industry leaders to share candid insights on critical issues such as “Beyond the Degree – Building Digital Agility for a Tech-Driven World,” “Data, Devices & Defense – Building a Cyber-Resilient Infrastructure,”
– Expert-Led Vertical Market Tracks: In partnership with top industry associations and government bodies, the Summit will feature specialised tracks developed to address the unique challenges of key sectors. Collaborators include:
All India Institute of Local Self-Government (AIILSG) for the Smart Cities;
Computer Society of India, Mumbai Chapter (CSI) for the Enterprise IT & Cybersecurity;
ICT Academy for Education Technology;
Themed Entertainment Association (TEA) for the Immersive Technologies;
Invidis Consulting for the Digital Signage.
With India’s experience economy booming, mastering the art of an unforgettable guest journey is key. Leading this critical conversation is first-time InfoComm India Summit speaker, Stephen Thomas Cavit, an expert uniquely positioned to guide the way. As an Emmy Award-winning composer and the President of the TEA Asia Pacific Board, Stephen is at the forefront of the themed entertainment trend. He is set to share his perspective on blending creative artistry with business and technology, making his panel, ‘Tools of Immersion: Designing the Guest Journey,’ a must-attend event. “True immersion is felt, not just seen. I’ve built my career creating emotion through sound for the screen, and I look forward to sharing my insights at InfoComm India, alongside my experienced panel members.
Going beyond traditional sessions, InfoComm India Summit will also feature new interactive formats designed for collaboration and practical skill-building. The Regional AV Roundtable & Mixer on Day 2 (10 Sept) will bring together manufacturers, integrators, and distributors for a candid discussion on bridging the gap between technical innovation and real-world usability. For those seeking practical skills, the Hands-On Workshop: “Mastering AV Networking” on Day 3 (11 Sept) will provide expert-led training on configuring and deploying essential AVoIP protocols.
The InfoComm India Summit is free to attend for all registered visitors, except for select training sessions and workshops, which require some fees. Visit www.infocomm-india.com for more information.
AVIXA to Host First-ever In-person Training in India for CTS Preparation
In a significant milestone for professional development in the region, AVIXA will host its first-ever in-person “CTS 2: Applied AV and AV Project Process” training in India in conjunction with InfoComm India. Taking place on 7-9 September (beginning two days ahead of the tradeshow) onsite/in-person at JWC, this three-day course is a critical step for professionals to achieving the globally recognized CTS® (Certified Technology Specialist™) designation.
Designed to equip participants with practical insights into applied AV project workflows—from system planning and documentation to implementation and client handover—making this training a milestone initiative in advancing AV expertise across the region. Sponsored by Harman, this is a separately ticketed course. Interested professionals can find out more and register via the AVIXA website.
Your Opportunity to Explore, Learn, and Lead
Visitor registration is now open. All AV, IT, and tech professionals are invited to discover the innovations shaping the future of India’s digital infrastructure. Register for free show entry at www.infocomm-india.com.
About InfoComm Asia Pte Ltd.
InfoCommAsia Pte Ltd. extends its influence through three marquee shows: InfoComm Asia; InfoComm China, Beijing; and InfoComm India. Each show features an exhibition that showcases the world’s most cutting-edge and in-demand professional audiovisual and integrated experience technology solutions and a summit that presents learning opportunities. The shows bring together professional audiovisual industry players and top-level decision-makers from across different markets to tap into the vast potential presented by pro AV solutions.
For more information, visit: infocomm-asia.com | infocomm-china.com | infocomm-india.com
Following a record-breaking edition in 2024 that saw visitor attendance grow by 17%, InfoComm India returns to Mumbai’s Jio World Convention Centre from 9-11 September 2025, with a larger showcase, cutting-edge learning sessions, and new partnerships catering to India’s fast-evolving AV and experience technology markets.
Strong Market Growth and New Exhibitors Drive Momentum
The stage for InfoComm India is set against the backdrop of a booming market. According to the 2024 Industry Outlook and Trends Analysis (IOTA) by AVIXA, India is not only the third-largest pro-AV market in APAC but also the fastest-growing globally, with annual revenue projected to reach $11.8 billion in 2029. This explosive growth is fueling demand across India’s corporate, education, and government sectors, and InfoComm India 2025 is expanding to meet the surge.
This year, visitors will find an enriched show floor featuring returning global brands like Crestron, Harman, and AET, as well as first-time exhibitors such as Smart Stage Technologies, InstaLED, and FutureComm Systems, representing next-gen solutions in digital signage, control systems, immersive lighting, and collaborative workplace tech.
A major new feature this year is the Smart Tech Stage. This engaging live demo area will allow visitors to learn real-world tech applications powering smart workplaces, learning environments, and next-gen entertainment spaces.
New Learning & Engagement Highlights in 2025
Complementing the show floor is the show’s signature InfoComm India Summit, with fresh content streams and practical insights. Among the new highlights:
AI in AV Workshop – Addressing India’s growing appetite for AI-powered solutions, this workshop delivers actionable strategies for attendees to harness AI’s potential in creative workflows.
Sector-Focused Show Floor Tours on Smart Workplaces & Smart Classrooms led by experts to help buyers find key solutions specific to their business and organization needs.
Dynamic Networking Opportunities, including the Regional AV Roundtable & Mixer and the Welcome Networking Event (co-organized with AVIXA), connecting AV professionals, system integrators, and tech decision-makers from across various industries.
Strategic Partnerships & Growing Industry Engagement
InfoComm India is forging deeper connections with key stakeholders through a series of strategic partnerships that aim to amplify knowledge exchange, innovation showcases, and sector-wide participation. From smart infrastructure to next-gen learning and enterprise IT, these partnerships are designed to connect solution providers with India’s most forward-looking decision-makers across industries.
EEMA (Event Entertainment Management Association), AIILSG (All India Institute Local Self Government), ICT Academy, CSI (Computer Society of India), EESA (Event Equipment Services Association), FITAG (The Federation of Information Technology Associations of Gujarat) and many other regional bodies. These collaborations reinforce InfoComm India’s position as a business-critical platform for India’s growing AV and experience tech industry—bridging global innovation with localized market needs.
The Must-Attend Event for Pro AV & Immersive Experience Technology
This year’s edition continues to place a strong focus on engaging key buyers and decision-makers through the Invited Guest Program, with a particular emphasis on high-growth sectors actively driving AV adoption—namely, Smart Cities, Digital Education, and Enterprise IT.
India’s digital education sector is projected to grow at a staggering CAGR of 25.2%, reaching USD 34.8 billion by 2033, backed by large-scale smart classroom initiatives. Similarly, India’s IT sector has crossed USD 250 billion in revenue, with hybrid collaboration fueling demand for next-gen AV solutions. The government’s Smart Cities Mission, supported by over INR 6,000 crore in funding, continues to boost investment in AV-intensive applications like integrated command centers and digital signage. These trends highlight the strategic importance of engaging buyers from these segments, who are at the forefront of India’s digital transformation.
Through these strategic alliances, the show is set to deliver even greater value to participants—creating powerful opportunities for learning, networking, and business exchange across verticals like urban development, live events, education, and enterprise IT.
With registration now open, InfoComm India 2025 is already seeing strong interest from across the AV and technology spectrum, attracting a diverse mix of enterprise end-users, system integrators, and solution providers seeking partnerships. A wave of early registrations from KPMG, Deloitte, Adani, Tata Motors, Cisco, Reliance Industries, Godrej, IBM, SEBI, Axis Bank, Yashraj Films, among many others reflects the industry’s confidence in the show’s relevance and reach.
Experience Next-Gen Pro AV Technologies First-hand
From AV system integrators, rental, live event companies, broadcasters, architects, IT consultants, and business leaders, InfoComm India is where India’s AV and tech ecosystem converges to source solutions, build partnerships, and learn from industry leaders. Exhibitors are set to unveil a suite of transformative Pro AV and Technology solutions designed to solve current and future key challenges for India’s rapidly growing businesses. To name a few of these upcoming Pro AV products from the exhibitors:
AI Suite for Digital Signage by KORBYT [TE07] – AI-driven content personalization and scheduling, boosting engagement across corporate campuses.
AIRTAME Wireless Conferencing & Digital Signage by NTECK SYSTEMS [BB01] – AI-enhanced wireless conferencing and signage for seamless and interactive AV sharing
IActive W Pro Series – All in One Interactive Flat Panel by IACTIVE TECHNOLOGY [K33] – AI-integrated interactive panel, offering real time feedback and automating admin tasks.
AI:EX by DVSI [C33]- an AI-powered, on-premise AV management system offering predictive support, NLP-based control, usage insights, and 24/7 intelligent troubleshooting.
IX Series DSP Amplifiers by BOSCH [D20] – DSP-powered amplifiers with automation via TaskEngine, enabling smart zone control, usage-based adjustments, and seamless integration into multi-room AV environments.
Registration & Last Opportunities to Exhibit
The momentum from last year’s record-breaking edition – which saw a 17% increase in unique visitor attendance and a marked rise in participation from emerging cities – is driving significant expansion for 2025. The upcoming edition has already expanded its footprint by 12% in exhibition space and attracted over 25% more exhibiting brands. This growth reflects the surging interest in Pro AV and experience technology across India’s enterprise, government, broadcast, and education sectors — and signals a vibrant marketplace of ideas, solutions, and collaboration waiting on the show floor. With limited booth space and sponsorship packages remaining, companies looking to capitalize on India’s booming AV sector are encouraged to secure their participation now.
Visitor registration is now open. For more information on exhibiting or securing the last available sponsorship opportunities, visit www.infocomm-india.com
About InfoComm Asia Pte Ltd.
InfoCommAsia Pte Ltd. extends its influence through three marquee shows: InfoComm Asia; InfoComm China, Beijing; and InfoComm India. Each show features an exhibition that showcases the world’s most cutting-edge and in-demand professional audiovisual and integrated experience technology solutions and a summit that presents learning opportunities. The shows bring together professional audiovisual industry players and top-level decision-makers from across different markets to tap into the vast potential presented by pro AV solutions.
For more information, visit: infocomm-asia.com | infocomm-china.com | infocomm-india.com
For media enquiries, please write to media@infocommasia.com or contact: Angie Eng, Marketing Director InfoCommAsia Pte Ltd angieeng@infocommasia.com
– July’s Spotlight Event in Hong Kong runs together with Sports and Leisure Expo and World of Snacks
– Book Fair runs alongside the HKTDC Hong Kong Sports and Leisure Expo and HKTDC World of Snacks from 16 to 22 July at the HKCEC – With a single ticket, visitors can immerse themselves in the worlds of literature, sports and leisure activities and global snacks. To celebrate the Book Fair’s 35th edition, three special offers will be launched to welcome both Hong Kong citizens and tourists, encouraging attendees to visit the fairs with their companions – The theme of this year’s Book Fair is “Food Cultureï½¥Future Living”, featuring more than 620 cultural activities. The World of Art & Culture will feature an interactive exhibition, “Book a Table ï½¥ Food for Thought” – The FIBA 3×3 World Tour Hong Kong 2025 international event will take place at the Sports and Leisure Expo, while the World of Snacks will offer more than 1,300 tasty treats
The 35th HKTDC Hong Kong Book Fair, organised by the Hong Kong Trade Development Council (HKTDC), will be held from 16 to 22 July (Wednesday to Tuesday) at the Hong Kong Convention and Exhibition Centre (HKCEC). The popular annual event will run concurrently with the HKTDC Hong Kong Sports and Leisure Expo and the HKTDC World of Snacks, bringing together more than 770 exhibitors across the three fairs. With the theme of the year “Food Cultureï½¥Future Living”, the Book Fair will feature more than 620 cultural activities both onsite and offsite, including acclaimed writers’ seminars, book launches and multicultural activities, creating a literary feast and promoting a culture of reading.
Sophia Chong, HKTDCDeputy Executive Director, said: “The Hong Kong Book Fair Cultural Events Advisory Panel selecting ‘Food Cultureï½¥Future Living’ as the theme of the year is truly meaningful. Both food and reading serve as carriers of culture. Food literature works not only document local culinary traditions but also narrate stories through recipes, making them more intriguing. As a renowned food paradise where east meets west, Hong Kong offers a unique platform for promoting international cultural exchange through food literature. We hope the theme of the year will encourage people to explore diverse aspects of food culture through reading, savouring the cultural nuances and lifestyle attitudes behind the texts and delving into new food cultures shaped by future technologies. We invite everyone to relish the joy and flavour of reading.”
Ms Chong added that Hong Kong Book Fair, as a Hong Kong spotlight event and a feature of the Hong Kong Summer Viva in July, will present a wide array of engaging experiences for locals and tourists alike. To celebrate the 35th edition of the Book Fair, three special offers will be rolled out to allow citizens and tourists to fully immerse themselves in the three major cultural and leisure events of reading, sports and leisure, and snacks. First, visitors born in 1990, when the Book Fair was first held, can enjoy free entry by presenting valid identification. Second, a limited edition of 500 35th-edition special packages will be available, allowing five visitors to enter for the price of three tickets. Third, visitors who spend over HK$500 at the Book Fair will have the opportunity to receive a limited-edition commemorative tote bag and a special gift.
World of Art & Culture presents a cross-cultural feast The Book Fair continues to be supported by the Cultural and Creative Industries Development Agency of the Government of the Hong Kong Special Administrative Region (HKSAR) to stage the World of Art & Culture and industry-focused activities such as the International Publishing Forum and the IP Roundtable.
To further promote Hong Kong as an east-meets-west centre for international cultural exchange, the World of Art & Culture echoes the theme of the year with an exhibition titled “Book a Table ï½¥ Food for Thought” that uses food as a bridge to connect cultures and offers visitors a chance to savour life and explore the world through the dining table. The exhibition is a collaboration between eight artists and the consulates general of various countries in Hong Kong. It features eight tables curated by eight artists, each exploring themes related to food and healthy living, surplus and future, table etiquette, lifestyle and culture, process, experience, music, art, and more. The consulates general will showcase related books and exhibits from around the world while an interactive artificial intelligence (AI) device onsite will recommend books to visitors. In addition, more than 30 events, including talks and workshops, will be held to provide a multifaceted exploration of food culture. Ray Lok, Chief Executive Officer and Founder of Hong Kong agritech company Full Nature Farms, will share insights on the latest sustainable diets and future farming.
This year’s Book Fair features the Cultural and Creative Products Zone for the first time, offering interactive experiences related to Hong Kong’s intangible cultural heritage and showcasing a curated selection of cultural and creative products from Macao and the Palace Museum in Beijing. This year’s Mainland China Pavilion will spotlight Sichuan, the home of pandas, as the thematic province.
Under the theme “Sichuan and Hong Kong: Weaving Culture, Crafting Tomorrow”, the pavilion will showcase Sichuan’s lifestyle through iconic elements such as food, wine, tea, opera and embroidery, all rooted in the province’s rich heritage. There will be a display of award-winning Sichuan publications, foreign publishing achievements, and a variety of panda-themed books and cultural and creative products. There will also be a series of industry exchange activities such as the International Publishing Forum, the Hong Kong Publishing Biennial Awards and the Launch Ceremony of Publishing 3.0. The IP Roundtable will include a business matching session to help industry players explore business opportunities. (to be confirmed by branch office)
The 2025-26 Budget from the HKSAR Government mentioned plans to provide local technology companies with more physical displays for their products. In support of this initiative, the Book Fair will introduce the Hong Kong Tech Showcase area that will showcase innovative technology products in various areas including edtech, healthtech, sportstech, foodtech and more.
Eight Seminar Series explores the inspiration and wisdom of life The Book Fair will continue to feature the Eight Seminar Series, inviting authors from around the world to share and exchange ideas with readers on topics including Theme of the Year, Renowned Writers, English and International Reading, World of Knowledge, Children and Youth Reading, Personal Development and Spiritual Growth and Hong Kong Cultural and Historical and Lifestyle. The Theme of the YearSeminar Series will invite notable writers related to food literature, including Andrew Chui, the fifth-generation heir of Tai Ping Koon Restaurant; Benny Li, a food review author; Yim Ho, a renowned director and dietary therapy expert; and Sian “Leo” Proctor, the first American woman to become a commercial spaceship pilot. Together, they will explore food culture, lifestyle and future technology, offering the audience fresh insights on life through the world of cuisine.
The Renowned Writers Seminar Series, co-organised by the HKTDC along with Ming Pao and Yazhou Zhoukan, will feature a lineup of highly influential Chinese-language writers who will share and interact with readers onsite. The heavyweight speakers include Lung Ying-tai, making a return to the Hong Kong Book Fair; Xu Ze-chen, Mao Dun Literature Prize winner for his novel Northward; Xu Zi-dong, former Chair of the Department of Chinese at Lingnan University; business management expert Feng Tang; and Zhu Jia-ming, one of the “four gentlemen of China’s market reform” and an expert on AI.
The English and International Reading Seminar Series brings international authors to Hong Kong every year, highlighting the city’s position as an international metropolis. The star-studded authors in 2025 include Japanese author Rie Qudan, who won the Akutagawa Prize in 2024 for her AI-themed novel; Cheon Seon-ran, selected as the “Young Writer Who Will Become the Future of Korean Literature”; Kim Bo-young, one of Korea’s leading science fiction authors; Nguyen Hanh Phuong (aka Rosy Black), a 16-year-old Vietnamese writer of English fiction stories; and Osamu Okamura, a Czech architect focusing on human-centred urban design. Speakers at other seminars include Jack So, former Chairman of the HKTDC; Ronnie Chan, Honorary Chair of the Hang Lung Properties Limited; Yuen Kwok-yung, Chair Professor of the Department of Microbiology of the University of Hong Kong; and polar researcher Rebecca Lee. The Story Sharing by Celebrities session, meanwhile, will feature Vivian Kong, Olympic fencing gold medallist, Vicky Lau, the first female Michelin star chef in Hong Kong, and artists Carlos Chan and Grace Chan. For more details on the seminars and the lineup of speakers, please visit: https://shorturl.at/TRdAw )
Sports and Leisure Expo runs concurrently with the FIBA 3×3 World Tour The 15th National Games will be held this year with several events set to take place in Hong Kong. The Sports and Leisure Expo will feature an exhibition area where visitors can take photos with the mascots, Xiyangyang and Lerongrong, and learn more about the competitive events and mass participation events that are being hosted in Hong Kong. To tie in with the current basketball craze, the HKTDC is collaborating with M1 Group Limited to bring the FIBA 3×3 World Tour Hong Kong 2025 international event to the HKCEC, where it will be held indoors for the first time on 19 and 20 July during the Sports and Leisure Expo. Ticket holders for the Book Fair can access the carnival-style 3×3 Village from 16 to 22 July, where they can enjoy various sports booth games and visit sports product showcases.
The Hong Kong Sports Institute (Booth 5C-B02) will once again set up a cheering zone and an exhibition area showcasing some of the precious items belonging to elite athletes, with visitors able to show their support for the Hong Kong stars as they prepare for the National Games. The popular Hong Kong Playground Association (Booth 5C-D02 &5C-E02) will also participate in the expo again. In addition to its signature mobile rope nets, the Association will introduce a new multi-sports experience zone, offering various sports experiences over the course of the seven-day exhibition period. Sports experiences include pickleball, rope skipping and running will feature on 16 and 17 July; street workouts will feature on 18 and 19 July; HADO AR dodgeball will be showcased on 20 and 21 July; and drone soccer features on 22 July. Making its debut at the event, Gymetaverse Company Limited (Booth 5C-C02) will promote the sport-finance concept through the LIVE4WELL sports rewards platform, encouraging the public to exercise more.
A new Travel Zone will debut this year, featuring the ever-popular Japan Pavilion along with the newly added Taiwan Pavilion and Thailand Pavilion. The Consulate General of Japan in Hong Kong will team up with 17 Japanese prefectures including Kagoshima, Okinawa, Shizuoka and Iwate, to participate in the Japan Pavilion, with a special focus on the Tohoku region’s popular local snacks beloved by tourists (Booth 5B-E23). Moreover, this zone highlights the Hong Kong attractions include GO PARK Sports (Booth 5B-E02) and the Sai Yuen Camping Adventure Park in Cheung Chau (Booth 5C-A05), offering visitors information on water and land sports, adventure activities and camping.
Discover Michelin Guide Bib Gourmand treats at the World of Snacks This year’s World of Snacks will bring together more than 1,300 different treats featuring a variety of classic flavours, healthy options and handcrafted snacks from around the world. They include the stone-ground black sesame snacks that were selected for the Michelin Guide’s Bib Gourmand 2025 (Heartwarming: Booth 5B-A21) as well as handcrafted sodas in special flavours such as ginger lemon honey and salted plum lemon honey (City Carbonation: Booth 5B-A10).
Cultural July brings the community together to promote the love of reading In addition to the Book Fair, the HKTDC is once again organising Cultural July in collaboration with the Leisure and Cultural Services Department of the HKSAR Government, publishers, and various educational, cultural and arts institutions. From 24 June to 31 July Cultural July will feature nearly 400 cultural activities including a food and culture tour, author sharing sessions, parent-child reading workshops, storytelling theatre, art exhibitions and handicraft workshops, all designed to promote a city-wide love of reading across each of Hong Kong’s 18 districts.
The Hong Kong Book Fair, Sports and Leisure Expo and World of Snacks will continue to offer a single ticket for entry to all three events. This year, the adult ticket price remains at HK$30, while special discounts such as Morning Admission Tickets, Special re-entry, and Tourist Tickets will continue to be available. More details can be found below.
Disclaimer: Any opinions, findings, conclusions or recommendations expressed in these materials/events (or by members of the project team) are those of the project organisers only and do not reflect the views of the Government of the Hong Kong Special Administrative Region, the Culture, Sports and Tourism Bureau, the Cultural and Creative Industries Development Agency, the CreateSmart Initiative Secretariat or the CreateSmart Initiative Vetting Committee.
Media enquiries Hong Kong Book Fair, Hong Kong Sports and Leisure Expo and World of Snacks Yuan Tung Financial Relations: Agnes Yiu Tel: (852) 3428 5690 Email: ayiu@yuantung.com.hk Salina Cheng Tel: (852) 3428 2362 Email: salcheng@yuantung.com.hk
Hong Kong Sports and Leisure Expo, World of Snacks HKTDC’s Communications & Public Affairs Department: Stanley So Tel: (852)2584 4049 Email: stanley.hp.so@hktdc.org Jane Cheung Tel: (852) 2584 4137 Email: jane.mh.cheung@hktdc.org
Groundbreaking new research was released today revealing that illicit streaming devices (ISDs) in Taiwan are not only enabling rampant piracy, but also potentially pose significant cybersecurity threats to consumers and national infrastructure. The study was released at an enforcement workshop hosted in Taipei by the Taiwan Society of Convergence and the Asia Video Industry Association’s Coalition Against Piracy (CAP).
The research, conducted by Professor Paul A. Watters of Cyberstronomy Pty Ltd, found that many ISDs are vulnerable to malware infections and can be remotely hijacked, putting users at risk of identity theft, ransomware, and espionage. Even more alarmingly, these devices could be exploited to form large-scale botnets capable of disrupting Taiwan’s critical infrastructure through coordinated cyberattacks.
Key findings from the study include:
49% of apps commonly associated with ISDs which were tested contained malware, with some triggering up to 20 detections on industry-leading security platforms.ISDs were found to have an average of 7.75 security vulnerabilities, leaving users exposed to exploits such as command-and-control takeovers and phishing attacks.One malware-laden app was found to use “superuser” privileges, granting attackers full access to a user’s device and connected network.Malicious infrastructure supporting ISD apps is hosted via obscure and abuse-prone domains, such as 6868c.cc and 1357c.cc, often shielded by private registrations.
“Every ISD in Taiwan represents a potential node in a nationwide cyberattack,” said Matt Cheetham, General Manager of CAP. “If left unregulated, these devices could be weaponised to compromise homes, businesses, and government networks.” Cheetham noted that the study recommended a three-pronged approach to address the threat: tighten regulations on the sale and distribution of ISDs; expand enforcement and monitoring of malicious ISD infrastructure, and; implement DNS/site blocking to prevent access to known malware-distributing domains.
About the Asia Video Industry Association
The Asia Video Industry Association (AVIA) is the trade association for the video industry and ecosystem in Asia Pacific. It serves to make the video industry stronger and healthier through promoting the common interests of its members. AVIA is the interlocutor for the industry with governments across the region, leads the fight against video piracy through its Coalition Against Piracy (CAP) and provides insight into the video industry through reports and conferences aimed to support a vibrant video industry.
For media enquiries and additional background please contact:
Charmaine Kwan, Head of Marketing and Communications | charmaine@avia.org
The Future of Video India 2025 conference, held at the Trident Hotel Bandra Kurla, and part of the inaugural World Audio Visual & Entertainment Summit (WAVES), brought together over 120 industry leaders, innovators, and policymakers to discuss the transformative trends shaping India’s media and entertainment landscape. The event, organized by the Asia Video Industry Association (AVIA), featured insightful sessions on regulatory frameworks, content creation, as well as distribution and monetisation strategies.
Setting the tone for the day, the inaugural conversation led by Abhay Shanker Verma, Principal Advisor (Broadcasting & Cable Services), Telecom Regulatory Authority of India (TRAI), focused on creating a regulatory framework to propel India’s media and entertainment sector onto the global stage. Verma emphasized the importance of a level playing field and light-touch regulations to foster growth and innovation. He also reiterated India’s ambitions to become a content hub, with the establishment of the Indian Institute of Creative Technology (IICT), aimed at equipping the next generation of digital creators to excel in the global digital content industry.
Following this, Gaurav Banerjee, Managing Director & CEO of Sony Pictures Networks India (SPNI), declared “. . . the days of mediocre content is coming to an end” while sharing his vision for the future of SPNI and how it is pivoting to become first and foremost a content studio. He stressed the importance of authentic, quality, and unique storytelling and how SPNI was shifting from a traditional pay TV business model to a more diversified content distribution strategy, leveraging both broadcast and digital platforms to maximize monetization and reach. Banerjee also highlighted the exciting opportunities that lie ahead for content creators given the country’s young population and rapid economic growth while AI was a transformative opportunity to enhance creativity and ensure safety for both creators and consumers.
Vivek Couto, Managing & Executive Director of Media Partners Asia, then provided an overview of the significant transformations in India’s premium video sector over the last year, foreseeing no further imminent consolidations. Couto shared that there was enough revenue in the pie for the top 7 to 8 players to grow, and while advertising had gone through tough times for premium video, the Connected TV (CTV) universe was going to be very important for the advertising industry. Couto also remarked that India was by far the most accessible growth opportunity in the world, and “we are just beginning to see the collaboration and cooperation needed to drive this industry forward.”
Kelly Day, Head of International & Vice President, Prime Video, shared their unique strategy of transforming Prime Video into a comprehensive entertainment hub, underscored by the evolving landscape of content consumption in India. Day emphasized the importance of offering a wide range of content to cater to diverse customer preferences. “We want to be the first place that people think of when they want to watch something. . . This idea of offering the best and biggest service is at the core of what Amazon offers around the world,” said Day.
Monika Shergill, Vice President – Content at Netflix India, also stressed the importance of creative excellence and innovation, with a commitment to fuelling emotional connections through bold and imaginative storytelling, shooting across thousands of states and cities to create a diverse slate. Winning the Indian market was certainly a priority, with the goal of taking the best Indian stories to the world. Innovation and consistency were not opposites, said Shergill, with Netflix maintaining consistency in quality while continuously innovating in both service and storytelling.
Sushant Sreeram, Chief Marketing Officer at JioStar, also highlighted their platform’s focus on emotional engagement, personalized content, and innovative monetization strategies to drive growth and retention. “An aspiration and ambition to get to 1 billion screens requires us to reimagine everything, from the way we market to our service and the content we offer,” said Sreesam.
The conference also focused on the future of premium video advertising in India, with panellists highlighting the transformative potential of CTV for advertisers. Vineet Rastogi, Director of Product – India & EMEA, INVIDI, said, “It is not a question of choosing between linear and streaming, it’s about how to combine them.” Saurabh Srivastava, COO – Digital, Shemaroo Entertainment, emphasized the need for a new mindset to fully leverage CTV’s targeted and engaging capabilities. Clem Birdsall, Senior Publisher and Platform Director – APAC, Publica by IAS, also shared that programmatic buying offered more opportunities for advertisers compared to direct buying, which often has a higher entry threshold. However, Ranjana Mangla, SVP and Head of Ad Revenue, Sony LIV, Sony Pictures Networks India, underscored the challenges in building brand engagement in the CTV landscape, highlighting the need for a unified measurement system to ensure transparency. Surmising, Luke Smith, Senior Director – CTV & Online Video, APAC, PubMatic, opined that while TV has traditionally been effective for top-of-the-funnel brand advertisers, there are now unprecedented opportunities for all types of advertisers to leverage this medium.
Closing off the event, Vynsley Fernandes, Whole-time Director, Hinduja Global Solutions Ltd & CEO, NXTDIGITAL unveiled his strategy for embracing digital transformation. Fernandes emphasized the importance of expanding broadband services and launching satellite initiatives to better serve remote areas, reflecting their commitment to adapting to evolving consumer demands and technological advancements. These efforts underscore the pay TV industry’s proactive approach to maintaining relevance and enhancing accessibility in the digital age.
Future of Video India is proudly sponsored by Gold Sponsor Publica by IAS, and Silver Sponsors INVIDI, MEASAT and PubMatic.
About the Asia Video Industry Association
The Asia Video Industry Association (AVIA) is the trade association for the video industry and ecosystem in Asia Pacific. It serves to make the video industry stronger and healthier through promoting the common interests of its members. AVIA is the interlocutor for the industry with governments across the region, leads the fight against video piracy through its Coalition Against Piracy (CAP) and provides insight into the video industry through reports and conferences aimed to support a vibrant video industry.
For media enquiries and additional background information, please contact:
