Save the date March 28: The Global start of the FMC 2021

A highly popular international competition for composers and filmmakers has launched a countdown to the global start and opening of the registration.

FMC-Film Music Contest concluded several months of preparations and began the countdown to the start of the new edition. It will be expanded in new categories, exclusive content, with a strengthened prestigious international jury, attractive prizes and many surprises.

FMC currently presents all the news related to the competition. It revealed new members of the prestigious international jury and so far the largest package of prizes with a total value of more than 58,000 Euros. It is thanks to this year’s exclusive partners: PSPaudioware, Native Instruments, D16 Group Audio Software as well as Event Partners: Best Service, Meze Audio, UJAM and others. More about Prizes here: https://www.fmcontest.com/prizes-2/

It also revealed completely new competition categories, which were brought at the request of musicians. For all the current info and news is ideally to subscribe to the official FMC mailing list.

FMC 2021 will open its online registration on March 28, 2021. It will be possible to register from this date into all competition categories.

Competitors will be able to do so online from the comfort of their homes, recording and production studios directly on the competition page, where they will find all the information about the individual categories together with the registration form.

More info about the jury, competition categories, testimonials, FAQ, can be found on the official website at www.fmcontest.com

About FMC-Film Music Contest

FMC-Film Music Contest is a unique international contest and music awards for composers of original music for Film, TV, Ads, Videogames, for sound designers, bands, musicians, producers, soloists in instrumental, theatre, electronic music, with no age limits and irrespective of nationality or country of origin. FMC rewards films, TV series, or videos with original music in a separate category which is designed for independent film producers, production companies, video creators, composers, or directors. FMC is regularly represented at the most famous film, TV and music international events, festivals and markets such as: Cannes Film Festival, March’ du Film, Berlinale, NATPE, Musikmesse, etc. For more information, please visit: https://www.fmcontest.com/

About the Main Organizer, The GONG Art Company

The GONG Art Company as the main organizer has been working on cultural activities for nearly 30 years. Its portfolio includes organising many different cultural events. It has been cooperating with different Radios and TV stations in Europe. GONG has produced more than 500 tv episodes and music video clips. It has also produced just as many compositions in its own studio, the most successful of them being released on CD and receiving numerous gold and platinum awards.

Follow FMC-Film Music Contest on Social Media:
Facebook: facebook.com/FilmMusicContest
Instagram: instagram.com/fmcontest
YouTube: http://bit.ly/3oOaG48
#fmcfilmmusiccontest

Media Contact:
Mgr. Vlado Zeleznak Jr.
Director, FMC-Film Music Contest, PRESS FMC
E: press@fmcontest.com

The FMC-Film Music Contest 2021 Revealed Competing Music Categories

New edition of the FMC-Film Music Contest 2021 has prepared the largest and the most exclusive offer of competition categories so far. In addition to the already traditional popular music categories, it will also open brand new and there will be 7 of them together.

FMC 2021 Contest Categories Revealed

1.Music for Film, TV, Ads, Video games
2. Instrumental Music
3. Film Score for the Animated Sci-Fi film “To the Pathfinders of the universe” This film is a sequel to the successful film scoring category, where composers and sound designers will be able to compose an original composition for this visionary work.
4. Theatre Music
5. Trailer Music for professional travel documentary film about Iceland will be a new category. The task will be the same for everyone. To compose music for the travel documentary “The Way of Inspiration Iceland” in length 3:47. Competitors will find more info about this category on the FMC website.
6. Music for Video game HIND. FMC in cooperation with 3DIVISION video game development company brings a new category: “Music for Videogame”. It was literally requested by a large community of composers and sound designers who are dedicated to this musical genre. We give them a unique opportunity to join our competition and to compose music for the interesting video game “Air Missions: HIND”.
7. Films, TV series, Videos with original music This category is for film and video makers as well as composers who have composed music to any visual work. It is possible to submit movies and videos of all genres without restrictions on the date of their creation, as well as experimental, animated, documentary, children’s films, SCI-FI and genre hybrids in a total length up to 10.00 min.

Detailed information about all competition categories can be found on the official competition website here: https://www.fmcontest.com/categories/, where you will be able to register after the global start of the new edition and opening an online registration on 28.3. 2021.

About FMC-Film Music Contest

FMC-Film Music Contest is a unique international contest and music awards for composers of original music for Film, TV, Ads, Videogames, for sound designers, bands, musicians, producers, soloists in instrumental, theatre, electronic music, with no age limits and irrespective of nationality or country of origin. FMC rewards films, TV series, or videos with original music in a separate category which is designed for independent film producers, production companies, video creators, composers, or directors. FMC is regularly represented at the most famous film, TV and music international events, festivals and markets such as: Cannes Film Festival, March’ du Film, Berlinale, NATPE, Musikmesse, etc. For more information, please visit: https://www.fmcontest.com/

About the Main Organizer, The GONG Art Company

The GONG Art Company as the main organizer has been working on cultural activities for nearly 30 years. Its portfolio includes organising many different cultural events. It has been cooperating with different Radios and TV stations in Europe. GONG has produced more than 500 tv episodes and music video clips. It has also produced just as many compositions in its own studio, the most successful of them being released on CD and receiving numerous gold and platinum awards.

Follow FMC-Film Music Contest on Social Media:
Facebook: facebook.com/FilmMusicContest
Instagram: instagram.com/fmcontest
YouTube: http://bit.ly/3oOaG48
#fmcfilmmusiccontest

MEDIA CONTACT
Mgr. Vlado Zeleznak JR.
Director FMC-Film Music Contest, PRESS FMC
E: press@fmcontest.com

The FMC-Film Music Contest Reveals Members of a Prestigious Jury

FMC-Film Music Contest 2021 is preparing for its annual global launch and registration opening for music composers, sound designers and musicians from around the world.

An elite group of professionals from the EU, USA, Asia and Australia will be made up of representatives from the music and film business who actively work for national television, the largest Asian and Hollywood film studios, cultural or theater institutions, agencies as well as for Netflix.

About the absolute winners will be decided this year in seven competition categories, which will be officially introduced next week.

“I’m glad that they found time in their busy work schedules to listen to our contestants and help to discover new talents in each category,” said the director of FMC-Film Music Contest Mgr. Vlado Zeleznak Jr.

The official members of the prestigious international jury FMC 2021 are:
Roc Chen is one of the biggest names in China’s film, television and video game industries. He scored over 200 projects both within and beyond China’s borders. He has worked with major Chinese and Hollywood film studios such as Dreamworks, Disney, Universal, Wanda, and China Film Group. He wrote scores for The Wandering Earth, Chinese Zodiac, Royal Nirvana (TV), The King’s Avatar (TV), My People, My Country, Everybody’s Fine, etc.

Martin Todsharow (Germany)- is a professional film composer, producer, music supervisor and lecturer at numerous film academies. He wrote scores for Desert Flower, 3096, Hilde, The Guardian, Snake Eyes: G.I. Joe Origins, Elementary Particles, the Sources of Life and many more.

Vlado Meller (USA). Two-time GRAMMY Award winner. Vlado has been a mastering engineer for his entire 43-year career in the recording industry. Just a small sampling of his credits cut across multiple genres of music, including rock, hip hop, pop, jazz, metal, dance, opera, Broadway and classical. Artists that Vlado Meller has mastered include: Andrea Bocelli, Johnny Cash, Celine Dion, Duran Duran, Michael Jackson, Limp Bizkit, Linkin Park, Kanye West, Paul McCartney, Metallica, George Michael, Oasis, Pink Floyd, Red Hot Chili Peppers, Shakira, etc.

Ronnie Minder (Australia) is a multi-award winning film composer, having been in the running for an Academy Award nomination for his work on Matthew Holmes’ epic Western ‘The Legend of Ben Hall’. Ronnie’s recent projects include American Doc ‘Defend, Conserve, Protect’ television film ‘True Vision’ feature Complete Strangers.

Japan will be represented by Ataru Mukaezato musician, composers, and music producer who is working with different Japanese film producers. He composed music for many film directors from Okinawa. Kaori Kayo film industry professional, art director working in Okinawa Film Office representing films on the Asian and European film markets and festivals.

Adam Balazs (Hungary) is a multi-award winning film composer with a body of work that includes more than 50 feature films and over 800 episodes for television. He composed music for the 2017 Academy-Award winning short film ‘Sing’ and the 2018 Golden-Bear Winner and Academy-Award nominated feature ‘On Body and Soul’.

Marco Werba- versatile composer, conductor. He worked with many Italian directors and composed music for Italian films such as: Giallo (starring Adrien Brody), Pop Black Posta, Native, Il delitto Mattarella, etc.

Gianni Ephrikian- Composer, conductor and son of art, Gianni Ephrikian has collaborated with numerous artists of all musical genres and with his record label ‘Holly Music’ has produced several records with his orchestrations and orchestra conducting.

Ian Chen is a multi-award winning Taiwanese-Canadian composer for film, television, and video games. He Scored Netflix’s ‘Green Door’, composed music for many different projects like: Fantastic Creatures, This Land, A Place We Go To and many more.

Wan Pin CHU – is an international award-winning Erhuist and film composer from Hong Kong. Having performed in over hundreds of concerts all over the world, Wan is recognised as a versatile performer with rich emotions and limitless virtuosity in his music. His erhu was featured in the Hollywood movie ‘Godzilla: King of the Monsters’. Wan has scored music for three epic feature films ‘Nezha’, ‘Jade Dynasty’ and ‘Amsterdam Secrets’.

Silas Hite- is an Emmy-winning composer. His music plays in television shows around the world, from kids shows like Shaggy & Scooby-Doo Get A Clue! and Disney’s Dance-A-Lot Robot, to adult shows such as Chef’s Table and Street Food Asia. He has scored hundreds of commercials. He’s contributed memorable music to some of the top-selling video games of the past fifteen years such as The Sims, Skate 3 and The Simpsons.

Elia Cmiral- To date, Elia has written nearly seventy scores for independent films, TV and major studios including “Stigmata”, the trilogy “Pulse”, “Wrong Turn”, “Ronin”, “Journey to the End of the Night”, and “The Deaths of Ian Stone” produced by Stan Winston. “Spec Ops: The Line”, a video game by German-based developer Yeager and 2K, is another project of Elia’s that featured rock music and grunge. He wrote the orchestral scores for “Atlas Shrugged Part 1 and 3”, based on Ayn Rand’s novel, the hybrid score for the action/thriller “Armed Response” with Wesley Snipes, etc.

About FMC-Film Music Contest

FMC-Film Music Contest is a unique international contest and music awards for composers of original music for Film, TV, Ads, Videogames, for sound designers, bands, musicians, producers, soloists in instrumental, theater, electronic music, with no age limits and irrespective of nationality or country of origin. FMC rewards films, TV series, or videos with original music in a separate category which is designed for independent film producers, production companies, video creators, composers, or directors. FMC is regularly represented at the most famous film, TV and music international events, festivals and markets such as: Cannes Film Festival, March’ du Film, Berlinale, NATPE, Musikmesse, etc.

For more information, please visit: https://www.fmcontest.com/

About the main organizer

The main organizer The GONG Art Company has been working on cultural activities for nearly 30 years. Its portfolio includes organising many different cultural events.

It has been cooperating with different Radios and TV stations in Europe. GONG has produced more than 500 tv episodes and music video clips.

It has also produced just as many compositions in its own studio, the most successful of them being released on CD and receiving numerous gold and platinum awards. For more information, visit fmcontest.com

For more information about the contest visit www.fmcontest.com and follow FMC-Film Music Contest on Social Media.

Facebook: facebook.com/FilmMusicContest
Instagram: instagram.com/fmcontest
YouTube: http://bit.ly/3oOaG48
#fmcfilmmusiccontest

MEDIA CONTACT
Mgr. Vlado Zeleznak JR. Director FMC-Film Music Contest, PRESS FMC
E: press@fmcontest.com

Weilu: The emerging trend of local vlog in China

BEIJING – On December 12th, 2020, Weilu won the prize of top ten tech brand during the Bsan Forum in Beijing, and begins a new trend of localized vlog in China.

Competition about vlog among internet giants in China starts in 2019. With 10.8 billion internet users and previous success in short videos, China seems to be the next big market for the vlog. As shown by the public record, the top ten video companies have offered 10 billion traffic incentives to vloggers in China since 2018. According to the Baidu index, in April 2019, vlog reaches its highest index 17479, then decreases to 2525 in December 2020. This leaves the question: “Why Chinese people don’t like vlogs like the rest of the world.”

“According to a survey conducted by Tencent’s Penguin Intelligence, nearly 60% of the users surveyed have never heard of a vlog, and 70% of users claim to have never seen a vlog,” says Duncan Du, founder of Weilu. “The main reason is that people speak mandarin in China, so to most local people vlog is a meaningless spelling of letters, impossible to remember or pronounce.

“When we came up with the idea of creating a local brand for vlog, we tried to make it sound like vlog and mean like vlog, which took us 6 months to finish the task, amongst 200 alternatives. It’s easy to relate Weilu to vlog in Chinese by meaning or pronunciation. The other meaning of Weilu is from the Chinese idiom weibuzulu, which means too small to record. Our team removed the middle part to get the word Weilu.”

So far, Weilu has been quoted on most search engines and online encyclopedias as the meaning for vlogs in China. “To my personal opinion, vlog hasn’t entered into the Chinese market yet. It’s not hard to understand if you don’t assume everyone can speak English in China,” says Duncan.

PC or mobile

According to a Chinese internet report, there are around 1 billion mobile devices in China and 300 million PC users in China. The penetration of short video is higher than 70%. Due to the nature of different types of videos, users tend to watch short videos on mobile while watching long videos on pc or pad. Watching long videos on mobile can be costly. However, internet giants are offering cheap data packs to users. With the 5G network upgrade, long video like vlog may boom in China on both mobile and pc platforms.

Vlog or short video

On Wikipedia, the vlog is described as a video blog or video log, sometimes shortened to vlog, and is a form of blog for which the medium is video, and is a form of web television. Vlog entries often combine embedded video with supporting text, images, and other metadata. Entries can be recorded in one take or cut into multiple parts.

Some companies in China attempt to make the concept of vlog the same as a short video, which is not a fact according to Wikipedia. However, there may be some sort of short vlog grown on Chinese internet soil. On Weilu’s official website, the requirement for uploading Weilu is 140 seconds or more, and Chinese font is required.

Local or international

There are two types of users for the vlog, the vloggers and the watchers. It is claimed by vlog tools that there will be 10 million vloggers in China by 2020. Vloggers have no problem understanding vlogs. To them, using vlogs is the word of fashion and international. However, on video websites, watchers are the majority. Weilu is trying to find a new path where vloggers can remain international while watchers can understand and most importantly can remember what they are watching.

Media contact:
Company: Chutong Tech (Shanghai) Limited
Room 2601, South Tower, No.300 Xuanhua Road, Shanghai
Website: https://www.Weilu.com
Telephone: +86 36360093
E-mail: dev@Weilu.com
Contact Person: Duncan Du

ATF Online+ Caps Off its First Week with Fresh Insights for 2021

The 21st Asia TV Forum & Market (ATF), Asia’s leading entertainment content and conference, capped off the first week of its digital edition – ATF Online+, with 2,320 unique attendees from 60 countries and regions as of 4 December 2020. The platform is available on-demand until 28 February 2021.

ATF Online+ kicked off with an Opening Ceremony at the new state-of-the-art Hybrid Broadcast Studio located in Marina Bay Sands, Singapore on 1 December 2020. Mr S Iswaran, Minister for Communications and Information, Singapore officiated the launch in front of a physical audience of key industry players. The event was concurrently streamed live to a global audience watching via ATF Online+ and on Facebook. The ceremony was followed by a fireside chat between the Minister and Mr. Steven Chia, Presenter/Senior Editor of Channel News Asia, on the future of the media and entertainment industry, where he mentioned how companies need to create a wider variety of content, and the opportunities the Asian media market presents.

Business as usual at ATF Online+, with new connections made and deals announced

ATF Online+ 2020 saw 1,215 companies and 15 official pavilions participating, with 4,156 programmes presented on the platform. The first official four-days also saw more than 15,500 meetings arranged, underpinning ATF’s importance as a platform to facilitate business dealings. The meetings will continue until 28 February 2021.

ATF also continues to be a key year-end market where deals are sealed, with a host of partnerships and deals announced during the ATF week. Some of the announcements made during the week came from 7 Steps Production, iQiyi, ITV Studios, Mediacorp, Nippon TV, TechStorm and WarnerMedia.

141 industry experts delivered insights at ATF Online+ sessions

This year’s conference saw a refreshed programme schedule, specifically tailored for the global online audience. Segmented into five broad areas that cut across 1 to 4 December, each component focused on bite-sized discussions specific to the various pillars within the industry.

Mornings with Industry Leaders – Decision makers from the media, telecoms and entertainment industry took centre stage in the morning, sharing insights and thought-leadership on navigating the tides ahead and staying relevant amidst the changes. Top executives who participated in the fireside chats included Archana Anand, Chief Business Officer, ZEE5 Global, Priya Dogra, President, WarnerMedia EMEA & Asia (excl. China), Dr Michael Gryseels, President, True Digital Group and Jacques du Puy, CEO, CANAL+ International.

Lunchtime Buying – Key buyers took over the lunch hour sessions to give an insiders’ viewpoints and perspective on today’s buying strategies. Some of the panellists included Daphne Yang, CEO, CatchPlay, Maarten Meijs, President Global Entertainment, ITV Studios, Chao Gan, Vice President, Youku, Alibaba Media & Entertainment Group and Agustinus Bagus Abimanyu, Head of International Acquisition 3 TV, MNC Media, sharing strategies in the dramas, formats, kids and docs spaces.

Coffee Hour Content Showcase – This segment saw top sellers from China, Japan, Russia, South Korea, Spain, Taiwan and Turkey showcasing the latest entertainment content and industry updates, together with a spread of scripted and unscripted formats opened for contracts for the industry.

Production Afternoons – Format experts, creative leaders and decision makers took the afternoon to address issues and present user cases to advance production capabilities in the industry. Some of the speaker that took the virtual stage include Seo Hye-jin, Executive Director, TV Chosun, Yi Seung-jun, Founder, Director & Producer, Bluebird Pictures and Evelina Lye, Head of Regional Marketing, Media Partnerships APAC Entertainment, News & Sports, Facebook.

Southeast Asian Film Financing Forum (SAFF Forum) – The annual film-focused forum rounded off the four-day event with discussions on Southeast Asian partnership in media – cutting across content, connectivity, and capability. Among those who took part were as Abhi Rastogi, CEO & Founder, 108 Media, Elliot Renton, Senior Director & Head of APAC, Grabyo and Rashid Karim, CEO, Iskandar Malaysia Studios.

Active Engagements and Feedback from the Industry

Attendees were actively involved in the digital journey, and generous in communicating feedback of the platform, which included the following:

– Francesca Ibanez, CEO, CESCA Films: The organization has been really good, the cost was not high and the online platform worked. Was very easy to use. Easy to make contacts, that for a seller is of utmost importance.

– Carl D-Broughton, Producer, Manque: After crippling lockdowns and the global industry coming to a standstill, the online ATF was quite the godsend! The pricing was fair, the matching system worked well and the chat/messaging function made communicating easy. I confess to missing most of the conferences, but there’s the ‘catch-up’ option and, with the system available until the end of February, I’m still able to make new connections. In fact, given how these events usually end when everyone goes home, this ability to reach out for several weeks afterwards may yet prove to be crucial.

– Harry Kyoungwon, Manager, Gyeonggi Content Agency: Despite the Covid-19 pandemic, ATF Online+ has successfully linked content and media professionals with an easy and stable platform. With this platform, exhibitors could easily learn how to communicate with buyers and manage their video meetings. Hope to visit real Singapore next year!

– Shenthil Ranie, Vice President, Inflight Inc Pte Ltd: It was seamless experience to connect with potential companies and especially the My Schedule functionality was very useful.

– Kanji Kazahaya, Seller, Culture Connect Co., Ltd.: ATF is always one of the most important markets to meet key persons. Although it was challenging during a pandemic, the organiser has successfully created a decent online platform.

– Eugene Venkovsky, Sales Director, Open Alliance Media: ATF+ platform really works. Better than real meetings. So many effective meetings past few days.

– Rachel Wong, Assistant Commissioning Editor, Mediacorp: I really like the interface. It’s really easy to navigate.

Yeow Hui Leng, Group Project Director of ATF said, “We invited the industry to join our discussions on ‘Prelude to 2021’, the theme for ATF Online+ 2020. We are encouraged by the industry’s response, which shows the eagerness to engage towards a positive 2021. It also underscores the trust they placed on ATF to partner them to deliver the right leads and platform to continue doing so.”

Under the umbrella of Singapore Media Festival, the next edition of ATF and ScreenSingapore is slated to return 1 to 3 December 2021.

About Asia TV Forum & Market (ATF) 2020

Asia TV Forum & Market (ATF) – the region’s leading entertainment content event – is the platform of calibre to acquire knowledge, network, buy, sell, finance, distribute and co-produce across all platforms. It is the premier stage in Asia to engage with the entertainment industry’s top players from around the world. It’s where the best minds meet and the future of Asia’s content is shaped.

ATF facilitates opportunities to discover vital trends, crucial statistics and significant foresight particularly in TV’s digital, kids and formats arenas. Its business match-making programme open doors to new connections in the region. With over 5,700 international buyers and sellers from more than 60 countries and regions, ATF presents valuable business prospects for top- of-the-line benefits. For more information, please visit www.asiatvforum.com

About ScreenSingapore 2020

ScreenSingapore – Southeast Asia’s definitive marketplace for filmmakers, producers, distributors, financiers and film buyers to explore co-production opportunities, seek financing, make deals and learn about the changing film landscape.

In 2020, ScreenSingapore will once again host the Southeast Asian Film Financing (SAFF) Project Market and Conference, in partnership with the Southeast Asian Audio-Visual Association (SAAVA) and Ties That Bind: Asia/Europe Producers Workshop (TTB) to connect promising filmmakers and producers from Southeast Asia and Europe with international co-producing partners, festival programmers, distributors, commissioners, and financiers. For more information, please visit www.screensingapore.com.sg

About Reed Exhibitions (RX)

Reed Exhibitions is a leading global event organiser, with more than 500 events in 30 countries. In 2019, Reed Exhibitions brought together more than 7m event participants from around the world generating billions of dollars in business. Today Reed Exhibitions’ events are held throughout the Americas, Europe, the Middle East, Asia Pacific and Africa and organised by 38 fully staffed offices. Reed Exhibitions serves 43 industry sectors with trade and consumer events. It is part of RELX, a global provider of information and analytics for professional and business customers across industries. For more information, please visit www.reedexpo.com

About the Singapore Media Festival (SMF)

The Singapore Media Festival, hosted by the Infocomm Media Development Authority, is one of Asia’s leading international media events, where the industry meets to discover the latest trends, talents and content in Asia for film, TV and digital media. Taking place from 26 November to 6 December 2020, the Singapore Media Festival brings together the Asian Academy Creative Awards (AAA), Asia TV Forum & Market (ATF) and ScreenSingapore, and Singapore International Film Festival (SGIFF). SuperGamerFest will also be held in conjunction with SMF. For more information about the Singapore Media Festival, please visit www.imda.gov.sg/sgmediafest.

Press Contact
Ninemer Public Relations
Danielle Loh
Senior Account Manager
T: +65 9176 7502
E: danielleloh@ninemer.com

Janice Chew
Account Manager
T: +65 9685 7508
E: janicechew@ninemer.com

ATF Online+ Announces Full Event Line-up

Mornings with Industry Leaders
Mornings with Industry Leaders: Adam Lewinson, Dr Michael Gryseels, Archana Anand, Jon Penn, Jimin Fang, Priya Dogra and Jacques du Puy (L-R)

Asia TV Forum & Market (ATF) 2020 returns in less than a week with a jam-packed schedule tailored for the online audience.

Charging forward into 2021 and into the realm of content connectivity, commerce and beyond, the programme line-up will see industry leaders discuss and provide insights on a range of topics from digital transformation to partnership announcements and an exclusive look at how China’s Film & TV Industry has developed in 2020 with a 2021 forecast.

Leading the line-up are key Asian brands at the forefront of digital innovation and adoption. Dr Michael Gryseels, President of True Digital Group from Thailand and Archana Anand, Chief Business Officer of Zee5 will expound on the significance of sustainable models and investments in the digital economy while industry heavyweights such as WarnerMedia Entertainment Networks who are also doubling down on digital transformation efforts will be sharing strategies for manoeuvring the challenges in the year ahead.

At the forefront of partnerships in the new world, a panel discussion will see the Singapore Tourism Board, Studio Dragon and iQIYI come together to provide insights and share more about their latest partnership to promote the Destination Singapore story. Studio Dragon is best known for the popular drama series “Crash Landing on You”, while NASDAQ-listed iQIYI is a streaming giant from China, with over 500 million monthly active users.

Yeow Hui Leng, Group Project Director of ATF says “Digital convergence and COVID-19 have changed the way content is consumed, and they have also inspired new ways of collaborating and story-telling. This 21st edition of ATF underlines its coming of age in a new era and we look forward to facilitating conversations and connections, as we head into 2021.”

Grooming and discovering talents through In Development program

ATF has always been about providing talents, creators, and producers with a platform to launch their ideas further for development. This year, the intention is to offer an accelerated approach to content discovery and development regionally and globally through the ATF In Development program.

The In Development component comprises of its pitches and Speed Dating Program for co-production and commissioning. Producers and creators alike will be given the opportunity to pitch their projects to key decision-makers who include commissioning editors, distributors, co-producers, investors, and talent agencies.

Following are the commissioners taking part:

  • Justin Deimen of 108 Media (Animation / Format / Drama)
  • Agathe Vinson of Film Development Council of the Philippines and Mil Alcain of Film Philippines Incentives (Animation / Format / Drama / All Genres)
  • Chelsea Yang of Hunan TV (Format)
  • Chenfei Zhu of IQIYI, Inc (Animation)
  • Janet Zhang and Lulu Zhao of IQIYI Kids & Family (Animation)
  • Brenda Bisner of Kidoodle.tv (Animation)
  • Jesslyn Wong and Doreen Neo of MediaCorp (Drama)
  • Ray Wang and Cici Zheng of Reesee Entertainment (Animation)
  • Qing Fan of Tencent Video (Animation)
  • Richard Rowe of WildBrain (Animation)
  • Danna Stern, Tal Amram and Maya Biton of Yes Studios (Drama)

The pitches have proven to be an effective platform to spot ideas and nurture young talents from the Asian region. The ATF Formats Pitch calls for new and exciting originals from unscripted (non-fiction) entertainment formats. Lending a critical eye to the judging panel this year are industry heavyweights from 108 Media, Nippon TV, ITV studios, MongolTV and The Format People.

The ATF Animation Pitch calls for the most original, creative animated programs with edutainment value for the children in our lives within Asia. This year, experts from Kidoodle.tv, Toonz Animation India, Warnermedia Entertainment Networks and WEKIDS are part of the judging panel that will decide on the winner.

“The competition was tough, but we are so grateful that the experts recognised the potential for Weatherville and our network of other Southeast Asian creatives and developers have grown exponentially. With that, the potential to take the show to the markets have increased as well,” said Diana Yurinova, VP, International business development and distribution of Riki Group, winner of ATF Animation Pitch 2019.

The Chinese Pitch, which calls for original innovations in movie or drama formats that appeals to Chinese-speaking territories, is currently going through the judging process.

Winners of the pitches will be announced at ATF. ATF Online+ takes place from 1 to 4 December 2020, with on demand available up till 28 February 2021. ATF Online+ is part of the Singapore Media Festival (SMF). For more information, please visit www.asiatvforum.com.

Industry luminaries who will be speaking at ATF: http://www.acnnewswire.com/clientreports/5349/Annex.pdf

About Asia TV Forum & Market (ATF) 2020

Asia TV Forum & Market (ATF) – the region’s leading entertainment content event – is the platform of calibre to acquire knowledge, network, buy, sell, finance, distribute and co-produce across all platforms. It is the premier stage in Asia to engage with the entertainment industry’s top players from around the world. It’s where the best minds meet and the future of Asia’s content is shaped.

ATF facilitates opportunities to discover vital trends, crucial statistics and significant foresight particularly in TV’s digital, kids and formats arenas. Its business match-making programme open doors to new connections in the region. With over 5,700 international buyers and sellers from more than 60 countries and regions, ATF presents valuable business prospects for top-of-the-line benefits. For more information, please visit www.asiatvforum.com

About ScreenSingapore 2020

ScreenSingapore – Southeast Asia’s definitive marketplace for filmmakers, producers, distributors, financiers and film buyers to explore co-production opportunities, seek financing, make deals and learn about the changing film landscape.

In 2020, ScreenSingapore will once again host the Southeast Asian Film Financing (SAFF) Project Market and Conference, in partnership with the Southeast Asian Audio-Visual Association (SAAVA) and Ties That Bind: Asia/Europe Producers Workshop (TTB) to connect promising filmmakers and producers from Southeast Asia and Europe with international coproducing partners, festival programmers, distributors, commissioners, and financiers. For more information, please visit www.screensingapore.com.sg

About Reed Exhibitions (RX)

Reed Exhibitions is a leading global event organiser, with more than 500 events in 30 countries. In 2019, Reed Exhibitions brought together more than 7m event participants from around the world generating billions of dollars in business. Today Reed Exhibitions’ events are held throughout the Americas, Europe, the Middle East, Asia Pacific and Africa and organised by 38 fully staffed offices. Reed Exhibitions serves 43 industry sectors with trade and consumer events. It is part of RELX, a global provider of information and analytics for professional and business customers across industries. For more information, please visit www.reedexpo.com

About the Singapore Media Festival (SMF)

The Singapore Media Festival, hosted by the Infocomm Media Development Authority, is one of Asia’s leading international media events, where the industry meets to discover the latest trends, talents and content in Asia for film, TV and digital media. Taking place from 26 November to 6 December 2020, the Singapore Media Festival brings together the Asian Academy Creative Awards (AAA), Asia TV Forum & Market (ATF) and ScreenSingapore, and Singapore International Film Festival (SGIFF). SuperGamerFest will also be held in conjunction with SMF. For more information about the Singapore Media Festival, please visit www.imda.gov.sg/sgmediafest.

Press Contact
Ninemer Public Relations
Danielle Loh
Senior Account Manager
T: +65 9176 7502
E: danielleloh@ninemer.com

Janice Chew
Account Manager
T: +65 9685 7508
E: janicechew@ninemer.com