Category: Film & Sat

2024 Australian IT Journalism Awards Winners Announced

David Swan and the ABC Take Top Honours

ABC News and David Swan, technology editor of The Sydney Morning Herald and The Age have walked away with the Gold Lizzies, taking the top honours at the 22nd Annual Samsung IT Journalism Awards.

Produced by media intelligence platform Influencing, the Awards recognise the most outstanding journalists and outlets covering technology in Australia each year.

This year our event’s new home at Doltone House in Jones Bay Wharf played host to around 300 guests and sponsors, with the harbour providing a stunning backdrop for red carpet arrivals & cocktails from 6.30pm.

Below – Marc Fennell of the ABC with Graeme Philipson Best Columnist winner Jackson Ryan on the red carpet.

(Event Photos by Elly at Fluential Studio / fluential.au)
(Event Photos by Elly at Fluential Studio / fluential.au)

Free to enter, and predominantly peer-judged, these awards are only possible thanks to our Name Sponsor Samsung Australia, our lifelong event partners at Watterson, our partners Amazon Web Services, Optus, Cisco, NetApp, the Australian Computer Society, Meta, our design & print partners Canva and our Official Gin Sponsor Aussie Broadband.

With 23 categories contested by 140 entrants, the awards were as closely fought as they have ever been. This year The Age and Sydney Morning Herald’s David Swan and ABC News have taken home the top awards known as the gold Lizzies, taking home Best Journalist and Best Title respectively.

This was the third win for both parties. David Swan also scored the trophy for Best Technology Journalist and Best Telecommunications Journalist with a highly commended in the Best Technology Issues category. 

Meanwhile ABC News also took home Best Gaming Coverage and Best News Coverage in addition to their Best Title win. The ABC team is pictured below with our Naming Rights sponsor Samsung Australia.

Left to to right: Julian Fell (ABC); Ben Spraggon (ABC); Matea Rojas, Head of Corporate Communications at Samsung Australia; Gianfranco Di Giovanni (ABC) and Jackson Ryan.

(Event Photos by Elly at Fluential Studio / fluential.au)
(Event Photos by Elly at Fluential Studio / fluential.au)

“Once again, the Samsung Australian IT Journalism Awards proved what a special event it is – it is remarkable that even after 22 years it continues to grow in importance and stature,” said Influencing CEO and show host / MC Phil Sim (Pictured below presenting this year’s Pioneer of IT Media to industry veteran Len Rust).

“Our 2024 awards once again served their mission. Primarily, that is to recognise excellence in technology media and journalism, with the ambition that it inspires journalists to rigorously investigate and report on critical technology-related issues faced by the world today.”

“However, it is also about bonding the community – it is the one event that brings together technology journalists, and the people they work with, to renew friendships and build new ones, and with more than 280 people in attendance, it certainly achieved that again.”

(Event Photos by Elly at Fluential Studio / fluential.au)
(Event Photos by Elly at Fluential Studio / fluential.au)

We would like to once again thank all our sponsors for their support; the community of media communications professionals who choose to join in support of the event each year, and of course all our entrants, finalists and winners at this year’s Samsung Australian IT Journalism Awards.

The complete list of winners and highly-commendeds is below. Thank you everyone for making the event special, we look forward to bring this event to you again in 2025.

2024 IT Journalism Award Winners
Alicia Camphuisen Best New Journalist
Petra Stock
HC: Emily Spindler-Carruthers 

Best Security Journalist
David Swan
HC: Patrick Gray

Best Technical Journalist
David Braue
HC: Jeremy Nadel

Best Gaming Journalist
Fergus Halliday
HC: Daniel Van Boom

Best Gaming Coverage
ABC News
HC: GamesHub

Paul Zucker Best Technology Industry Journalist
Jessica Sier
HC: Nick Bonyhady

Best Game Reviewer
Edmond Tran
HC: Amanda Yeo

Best Technology Reviewer
John Davidson
HC: Alex Kidman

Best Technology Issues Journalist
Ariel Bogle
HC: David Swan, Julian Fell

Pioneer of IT Media
Len Rust

Best Short Form Content
Tobias Venus
HC: Cam Wilson

John Costello Best Business Technology Journalist
Justin Hendry
HC: Paul Smith

Best Business Coverage
The Australian Financial Review
HC: Mi-3

Best Consumer Technology Coverage
The Age & Sydney Morning Herald
HC: SmartCompany, Canstar Blue

Best News Coverage
ABC News Story Lab
HC: The Age & Sydney Morning Herald

Graeme Philipson Best Columnist
Jackson Ryan
HC: Paul Smith

Cass Warneminde Best News Journalist
Ariel Bogle
HC: Andrew Birmingham, Joseph Brookes, David Braue

Best Independent Media
Checkpoint Gaming
HC: The Martech Weekly, Player2

Helen Dancer Best Consumer Technology Journalist
Alex Kidman
HC: Fergus Halliday

Best Audio Program
Risky Business
HC: Download This Show, Debunks

Best Video Program
SBS 
HC: Tobias Venus

Best Telecommunications Journalist
David Swan
HC: Paul Smith

David Hellaby Best Media Relations
Salvatore Di Muccio
HC: Angela 

Best Corporate Content
David Braue
HC: Huntley Mitchell

Gold Lizzie: Best Journalist of the Year
David Swan

Gold Lizzie: Best Title of the Year
ABC

About Samsung Australian IT Journalism Awards
Known affectionately as The Lizzies and held every year since 2003, the Australian IT Journalism Awards acknowledge the most outstanding journalists and outlets covering technology in Australia each year. Content, Journalism, Beat/Vertical and Media Relations – there are 21 separate awards, plus our two special categories: Title of the Year, currently held by the Australian Financial Review; and Journalist of the Year, currently held by David Braue. Ensuring audiences have an accurate, balanced & accessible understanding of technology is critical for Australia’s future commercial growth. The peer-judged awards advance this cause each year, by publicly identifying and encouraging good tech journalism. https://www.thelizzies.com/

Media Contact:
Mike Woodcock
Chief Commercial Officer
Influencing & the Mediaconnect Group
www.Influencing.com
mike@mediaconnect.com.au / mike@Influencing.com
O: +61 2 9894 6277
M: +61 411 969 248

Follow #Lizzies or #Lizzies24 on Instagram & Twitter

Lizzies 2024: Finalists & Final Updates

The 2024 Samsung Australian IT Journalism Awards are finally here! This Friday from 6.30 our new venue at Doltone House on Jones Bay Wharf will play host to this annual event celebrating Australia’s leading technology journalists, publishers and media partners at this year’s Night of Nights.

As ever, these awards are only possible thanks to our Name Sponsor Samsung Australia, our lifelong event partners at Watterson, our partners Amazon Web Services, Optus, Cisco, NetApp, the Australian Computer Society, Meta, and our Official Gin Sponsor Aussie Broadband.

(Above: WhistleOut with last year's Best Consumer Technology Coverage award)
WhistleOut with last year’s Best Consumer Technology Coverage award

Dates, Times, Dress code
For everyone attending the awards this Friday March 22nd, here’s some essential housekeeping –

Date: Friday March 22nd from 6.30pm
Venue: Doltone House, Jones Bay Wharf, Sydney
Dress Code: Black Tie / Dress to theme
Best Dressed Theme: Sequins and Sparkles
Socials: #Lizzies, #Lizzies24

Late RSVP’s and tickets
If you have an urgent query, RSVP, or late ticketing enquiry, please email Mike@Influencing.com ; or contact Donna@Influencing.com. 

Cisco Webex Livestream
Big thank you to Cisco for assisting the livecast of the event for those who can’t make the trip to Sydney. This has been something we’ve done since Lockdown (remember that?), and our online audience keeps growing each year.

Cisco’s Director of Public Relations and Communications Cori Moran: “Cisco is once again proud to support the Lizzies this year – the best recognition and celebration of the IT Journalism industry. We are pleased to enable connections through Webex that will allow anyone to join the celebration from anywhere. Congratulations to all the finalists!”

The livestream will go live from 7.45pm on Friday for all the award coverage, with the first award live from 8pm. Your link for that viewing stream is here. (Remote finalists will be sent a separate email with instructions for following along and joining live presentations.)

Full Finalists List – Support Your Favourite Outlets!
Thank you again to everyone who entered this year’s awards. The standard keeps rising year after year, a glowing testament to the abilities of Australian technology journalists. In acknowledgment of that we’d like to reaffirm this year’s list of finalists, and wish every the best of luck!

ABC's Marc Fennell, of 2023's Best Outlet with Download this Show on ABC Listen
ABC’s Marc Fennell, of 2023’s Best Outlet with Download this Show on ABC Listen

Finalists – Coverage Awards
Best News Coverage
ABC News Story Lab, AFR, ARNNet, Capital Brief, Digital Nation, GadgetGuy, Games Hub, Gizmodo Australia, Information Age, InnovationAus, iTnews, Mi-3, Reseller News, Reviews.org/au, Safewise, SmartCompany, The Age & Sydney Morning Herald
Best Business Coverage
AdNews, AFR, Capital Brief, CRN, Digital Nation, Information Age, InnovationAus, iTnews, Mi-3, SmartCompany
Best Consumer Technology Coverage
Canstar Blue, Explosion Network, GadgetGuy, GamesHub, Gizmodo Australia, Lifehacker Australia, Reviews.org/au, SmartCompany, The Age & Sydney Morning Herald, WhistleOut
Best Independent Coverage
AlexReviewsTech, BTTR, Checkpoint Gaming, Craving Tech, Explosion Network, Gamer Girl Journalist, High Performance Laptops, Pickr, Player2, SIFTER, SMB Tech, Stevivor, SuperJump, The Martech Weekly, Vertical Hold
Best Gaming Coverage
ABC News, Checkpoint Gaming, Explosion Network, GadgetGuy, GamesHub, IGN Australia, Kotaku Australia, Lifehacker Australia, Player2, Reviews.org/au, Stevivor, SuperJump, The Game Crater
Best Video Program
ABC Gamer, Chris Stead, Good Game Spawn Point, SBS, Tobias Venus, Women Love Tech
Best Audio Program
Checkpoint on JOY, Debunks, Digital Nation, Download This Show, Hello AI Overlords, KBKast, Mi3 Audio Edition, PocketBuds, Risky Business, The Business of Tech, The Wrap, Vertical Hold, Walkthrough by SIFTER, We Review Stuff

Beat Awards
John Costello Best Business Journalist
Andrew Birmingham
Athina Mallis
Chris Pash
Christopher Kelly
Jeremy Nadel
Justin Hendry
Liam Tung
Paul Smith
Rob O’Neill
Ry Crozier
Tess Bennett
Velvet-Belle Templeman

Paul Zucker Best Technology Industry Journalist
Andrew Birmingham
Daniel Van Boom
David Swan
Eleanor Dickinson
Eloise Keating
Jessica Sier
Nick Bonyhady
Paul Smith
Rob O’Neill
Simon Sharwood
Tess Bennett
William Maher

Helen Dancer Best Consumer Technology Journalist
Alex Choros
Alex Kidman
Alice Clarke
Chris Neill
David Braue
Fergus Halliday
James Purtill
Jarni Blakkarly
Josh Taylor
Tegan Jones
Zachariah Kelly

Best Gaming Journalist
Amanda Yeo
Daniel Van Boom
Elliot Attard
Emily Spindler-Carruthers
Fergus Halliday
Gianfranco Di Giovanni
Isaac McIntyre
Jack Ryan
James Cottee
Leah Williams
Matthew Hewson
Ruby Innes

Best Telecommunications Journalist
Alex Angove-Plumb
Alex Choros
David Braue
David Swan
Josh Taylor
Mariam Gabaji
Paul Smith
Rob O’Neill
Ry Crozier
Simon Sharwood
Tara Donnelly

Journalism Awards
Alicia Camphuisen Best New Journalist
Ashley Regan
Brandon How
Christie Graham
Christie McQualter
Courtney Borrett
Dylan Crismale
Emily Spindler-Carruthers
Hannah Geremia
Julian Fell
Ky Stewart
Lauren Rouse
Petra Stock
Ruby Derrick

Cass Warneminde Best News Journalist
Andrew Birmingham
Ariel Bogle
David Braue
David Hollingworth
David Swan
Eloise Keating
Georgia Dixon
Jason Pollock
Josh Taylor
Justin Hendry
Paul Smith
Tegan Jones

Graeme Philipson Best Columnist
Bronwen Clune
Cam Wilson
Casey Tonkin
Chris Griffith
Jack Ryan
James Riley
Luke Reilly
Paul Smith
Simon Sharwood
Tegan Jones
Tim Biggs

Best Security Journalist
Amanda Yeo
David Braue
David Hollingworth
David Swan
Hannah Geremia
Leigh Stark
Leonard Bernardone
Patrick Gray
Paul Smith
Thomas Uren

Best Technology Issues Journalist
Ariel Bogle
Cam Wilson
Daniel Van Boom
David Swan
Jack Ryan
Jarni Blakkarly
Jennifer Dudley-Nicholson
Jessica Sier
Josh Taylor
Julian Fell
Sam Nichols
Tess Bennett

Best Technical Journalist
Adam Turner
Alex Kidman
Alice Clarke
Amanda Yeo
Casey Tonkin
David Braue
Jeremy Nadel
Leigh Stark
Neerav Bhatt
Petra Stock
Tara Donnelly
Zachariah Kelly

Best Gaming Reviewer
Alice Clarke
Amanda Yeo
Christie McQualter
David McNamara
Edmond Tran
Fergus Halliday
Jam Walker
James O’Connor
James Wood
Leah Williams
Luke Reilly

Best Technology Reviewer
Adam Turner
Alex Choros
Alex Kidman
Alice Clarke
Anula Wiwatowska
Chris Button
John Davidson
Leigh Stark
Nick Broughall
Nick Ross
Rae Johnston
Rose Jordan
Zachariah Kelly

Best Short Form Content
ABC Gamer
Cam Wilson
Frances Cook
Gizmodo Australia
Jack Ryan
Kotaku Australia
Lifehacker
Naomi Jackson
Quest Daily
Safewise Australia
The Game Crater
Tobias Venus
WhistleOut

Content & Media Relations Awards
Best Corporate Content
David Braue
Huntley Mitchell
Kathryn Goater
Matt Hopkins
Nick Ross
Velvet-Belle Templeman

David Hellaby Best Media Relations
Adela Amanowicz (Cisco)
Angela Coombes (NetApp)
Doug Johns (Power Up PR)
Justin Stolarski (Optus)
Mike Foley (Five Star Games)
Oisin O’Callaghan (Watterson)
Salvatore Di Muccio (WellAbove)

About Samsung Australian IT Journalism Awards
Known affectionately as The Lizzies and held every year since 2003, the Australian IT Journalism Awards acknowledge the most outstanding journalists and outlets covering technology in Australia each year. Content, Journalism, Beat/Vertical and Media Relations – there are 21 separate awards, plus our two special categories: Title of the Year, currently held by the Australian Financial Review; and Journalist of the Year, currently held by David Braue. Ensuring audiences have an accurate, balanced & accessible understanding of technology is critical for Australia’s future commercial growth. The peer-judged awards advance this cause each year, by publicly identifying and encouraging good tech journalism. https://www.thelizzies.com/

Media Contact:
Mike Woodcock
Chief Commercial Officer
Influencing & the Mediaconnect Group
www.Influencing.com
mike@mediaconnect.com.au / mike@Influencing.com
O: +61 2 9894 6277
M: +61 411 969 248

Follow #Lizzies or #Lizzies24 on Instagram & Twitter

FILMART and EntertainmentPulse conclude successfully

Unleashing creativity in film and TV, cultivating Hong Kong as cultural exchange centre

  • Over 7,500 participants from 50 countries and regions, reaffirming FILMART’s position as the premier platform for film and TV.
  • Significant growth in exhibitors and buyers from ASEAN countries, up 50% and 6% respectively year-on-year.
  • Multiple MoUs signed, including with Guangzhou, Thailand and Shanghai.
  • Over 1,000 film and entertainment works uploaded on FILMART’s online platform, further solidifying Hong Kong’s position as a regional IP trading hub.
  • FILMART’s virtual platform accessible until 13 April, offering ongoing collaboration opportunities.

The Hong Kong International Film and TV Market (FILMART) and EntertainmentPulse, organised by the Hong Kong Trade Development Council (HKTDC), concluded successfully today.

Asia’s leading cross-media, cross-industry trading platform attracted over 7,500 participants from 50 countries and regions and over 760 exhibitors from 27 countries and regions. Notably, there was a significant year-on-year increase in ASEAN exhibitors and buyers, 50% and 6%, respectively.

FILMART showcased a wide range of the latest film, TV and animation works as well as cutting-edge technologies in film production, including the debut of a virtual production studio in a collaboration with Hong Kong creative tech firm Votion Studios. A number of MoUs were signed to strengthen bilateral cooperation in film and entertainment.

Promoting ASEAN and trade cooperation 
In recent years, the film and entertainment industry in ASEAN countries, particularly Thailand, has experienced robust growth. In addition to the Thai Pavilion set up by the Thai Ministry of Culture, FILMART also held a Thai Day on opening day to leverage Hong Kong’s platform for industry development and encourage collaboration between Hong Kong and Thailand.

Hong Kong SAR Chief Executive John Lee led a delegation to visit three ASEAN countries, including Indonesia, last year, encouraging ASEAN businesses to leverage Hong Kong’s platform to further grow their entertainment industry. Following the visit, the Ministry of Tourism and Creative Economy of Indonesia staged a country pavilion for the first time at FILMART to showcase their film and TV productions. Rina Dayamanti, Festival Director of Jakarta Film Week and one of the pavilion representatives, expressed that Indonesian exhibitors were keen to meet a large number of Mainland Chinese buyers at the fairground and to explore the possibility of producing Indonesian versions of mainland IP projects.

The HKTDC also signed MoUs with several organisations, including the Department of International Trade Promotion of the Thai Ministry of Commerce and the Guangzhou Municipal Bureau of Culture, Radio, Television and Tourism, to strengthen bilateral economic and cultural cooperation. Additionally, a MoU was signed with the Shanghai Broadcasting Film & Television Producers Association to diversify bilateral cooperation in entertainment beyond co-productions.

Film companies leveraged FILMART’s platform to announce their latest productions and upcoming plans. Notably, Alibaba Digital Media and Entertainment Group unveiled the “Hong Kong Cultural and Art Industry Revitalisation Program”, committing to invest no less than HK$5 billion over the next five years to reinforce collaboration with Hong Kong’s cultural and entertainment industry.

To support Hong Kong’s growth as an innovation-driven economy and regional IP trading centre, FILMART this year strengthened its online platform, promoting exhibitors’ creative IPs, providing business referrals and facilitating business matching. As of early March, over 1,000 film and entertainment works have been uploaded to the platform.

First-time Indonesia Pavilion exhibitors Talamedia announced that Cercamon, Dubai-based global film sales firm, has acquired the worldwide rights of Crocodile Tears, a film co-produced by Talamedia and production companies from France, Germany and Singapore. 

Another first-time Indonesia Pavilion exhibitor KawanKawan Media, which has produced award-winning films, also announced they concluded principal photography of their latest feature, Tale of the Land, which is now in post-production.

Euro-Asia co-production opportunities in the spotlight
The Hong Kong Film Development Council launched the Hong Kong-Europe-Asian Film Collaboration Funding Scheme”, thanks to the Hong Kong SAR Government’s investment in the Film Development Fund, to encourage more international productions to come to Hong Kong to collaborate with Hong Kong filmmakers.

One of the guest speakers at EntertainmentPulse, Catherine Souyri-Desrosier, International Department Director of Centre national du cinéma et de l’image animée, commented: “Co-production is at the heart of France’s cultural policy to promote cultural diversity, cultural exchanges and cross-fertilisation. As France has developed a proactive policy to support co-productions with more than 60 bilateral treaties, including with four countries in Asia: China, Cambodia, South Korea and India. We look forward to collaborating with outstanding Asian crews and developing high-quality productions.”

New wave in Hong Kong cinema
In recent years, Hong Kong has seen the emergence of talented young directors, whose works have made their mark in the global film industry, ushering in a new wave in Hong Kong cinema. Many of them were supported by the Hong Kong SAR Government’s First Feature Film Initiative and Film Production Financing Scheme.

At the concurrent EntertainmentPulse, Hong Kong film director Stanley Kwan said: “The Hong Kong SAR Government and industry veterans should assist high-quality films in reaching international audiences through various channels and bring new directors to people’s attention to encourage more new talents to create.”

Cross-media events at FILMART 
The Digital Entertainment Summit featured at EntertainmentPulse explored trending topics in the world of digital entertainment, including animation and cross-border collaboration. Shimizu Shinji, Chief Advisor of Toei Animation, the animation production company behind box office hits Ikky-san and One Piece, shared his insights on the application of digital entertainment in animation creation. Furthermore, Across animation digital effects and interactive solutions, 38 Hong Kong production companies at the Hong Kong Animation and Digital Entertainment Pavilion showcased Hong Kong’s latest wave of young creatives.

FILMART is not only a trading platform for the film and entertainment industry, but also a showcase for music producers. Led by music director Dr Mui Kwong Chiu, the inaugural Hong Kong Film Music Fiesta – Rhythm of Martial Arts Music Concert featured iconic theme songs from classic Hong Kong films.

The online platform of FILMART will remain open until 13 April. Registered users can rewatch EntertainmentPulse seminars and connect with global buyers and exhibitors to explore more business opportunities.

Website:
FILMART — www.hktdc.com/hkfilmart/en
EntertainmentPulse — entertainmentpulse.hktdc.com/en

Photo Download: https://bit.ly/4cbG8TP

The Hong Kong International Film and TV Market (FILMART) and EntertainmentPulse, organised by the Hong Kong Trade Development Council, attracted over 7,500 participants from 50 countries and regions.
EntertainmentPulse hosted multiple forums, with renowned leaders discussing a range of trending topics, including Hong Kong-Europe-Asia co-productions, development of streaming, globalisation of Chinese and ASEAN content as well as generative AI.
In recent years, the ASEAN film and entertainment industry has experienced robust growth, particularly Thailand.  In addition to the Thai Pavilion set up by the Thai Ministry of Culture, FILMART also hosted a Thai Day on opening day.
Led by music director Dr Mui Kwong Chiu, the first Hong Kong Film Music Fiesta – Rhythm of Martial Arts Music Concert featured soundtracks of iconic Hong Kong films.
Multiple film companies leveraged FILMART’s cross-regional platform to attract global buyers, unveiling their latest productions and plans. Notably, Alibaba Digital Media announced the Hong Kong Cultural and Art Industry Revitalization Program.
Among two generations of filmmakers, Hong Kong film critic Thomas Shin and Fly Me to the Moon Director Sasha Chu and Producer Stanley Kwan, along with Dust to Dust Director Jonathan Li and Producer Cheang Pou-soi, discussed the latest developments of the Hong Kong film market.

Media enquiries
For enquiries, please contact:
Raconteur PR:
Betsy Tse, Tel: (852) 9742 7338, Email:betsytse@raconteur.hk
Molisa Lau, Tel: (852) 6187 7786, Email:molisalau@raconteur.hk

HKTDC Communication and Public Affairs Department:
Snowy Chan, Tel: (852) 2584 4525, Email:snowy.sn.chan@hktdc.org
Agnes Wat, Tel: (852) 2584 4554, Email:agnes.ky.wat@hktdc.org

HKTDC Newsroom: http://mediaroom.hktdc.com/en

About HKTDC
The Hong Kong Trade Development Council (HKTDC) is a statutory body established in 1966 to promote, assist and develop Hong Kong’s trade. With 50 offices globally, including 13 in Mainland China, the HKTDC promotes Hong Kong as a two-way global investment and business hub. The HKTDC organises international exhibitions, conferences and business missions to create business opportunities for companies, particularly small and medium-sized enterprises (SMEs), in the mainland and international markets. The HKTDC also provides up-to-date market insights and product information via research reports and digital news channels. For more information, please visit: www.hktdc.com/aboutus. Follow us on Twitter @hktdc and LinkedIn

Media Savvy Awards 2023 Winners Honored; 2024 Awards Announced

A senior civil servant, a private equity advisor, and a funeral director have won the Media Savvy Awards 2023, celebrating exceptional public speakers in Singapore and Malaysia. 

Janice Lai, Group Director (Housing & Investment), CPF Board won the Best Hybrid Event Presentation Award for her presentation to the Public Service Conference, while Michael Sng, CEO & Managing Partner, TAEL Partners took the Best Sustainability Communications Award. The Best Broadcast Interview category went to Jeffrey Lee, Founder, Embrace Funeral Services Pte Ltd. 

The winners were ascertained by judges from the Asia Pacific Association of Communications Directors (APACD), who returned for their fourth year. They were joined by the Public Relations and Communications Association (PRCA), and the Singapore Institute of Directors (SID).

Mark Laudi, Media Savvy Awards convenor and ex-CNBC anchor, said “As we head into the 7th year of the Media Savvy Awards, it’s become clear how deep our local talent pool of excellent presenters really is. Singaporeans and Malaysians who are still shunning the limelight are starting to catch on that public speaking appearances are essential for building your personal brand, especially for the most senior of business leaders.

Media Savvy Awards 2023, Best Hybrid Event Presentation 2023: Janice Lai, Group Director (Housing & Investment), CPF Board, Singapore
Media Savvy Awards 2023, Best Broadcast Interview: Jeffrey Lee, Founder, Embrace Funeral Services Pte Ltd, Singapore

“The Media Savvy Awards celebrate those Singaporeans and Malaysians who lead the way with their articulate and confident presentations, both on stage and on camera. It’s time for other senior business leaders who have not yet taken the plunge to follow their example.”

Keith Morrison, President of APACD, said “Empowering Singaporeans and Malaysians to be media-savvy spokespeople is crucial for today’s communication landscape. Hearing the stories and perspectives of our leaders, hearing their authentic and diverse voices will go a long way to ensure we preserve trusted media sources.”

Tara Munis, Head of PRCA APAC, said “We are thrilled to continue our steadfast support for the Media Savvy Awards as they enter their 7th year. These awards provide a vital platform for local businesses in Singapore and Malaysia to showcase their exceptional work in the communications realm, offering an invaluable opportunity to share their stories with the wider community.

“As we eagerly anticipate this year’s entries, we remain committed to celebrating and amplifying the innovative contributions of our region’s businesses to the ever-evolving media landscape,” said Tara.

Nominations are now open for the 2024 awards in the same categories of Best Broadcast Interview, Best Online Interview, Best Hybrid Presentation and Best Sustainability Communications. You can nominate yourself or another senior business leader another Singaporean or Malaysian senior business leader by visiting www.mediasavvyawards.com.

The Media Savvy Awards also unveiled its new look logo for 2024.

About Media Savvy Awards 
The Media Savvy Awards recognise local business leaders who are good orators and have excellent traditional and new media skills. Convened in 2018 by Hong Bao Media, the awards seek to encourage business leaders, entrepreneurs and founders to step up in front of the camera or on stage. 

As businesses move forward in a digital world with new media platforms, having a strong media presence and the ability to get your message across to your key stakeholders is crucial for business leaders and entrepreneurs alike.

For further information: 
Mark Laudi, Convenor, Media Savvy Awards
Tel: +65 9017 3534
Email: mark.laudi@hongbaomedia.com
Hong Boa Media: www.hongbaomedia.com
Hong Bao Media provides a new generation of communications services to corporate clients throughout the Asia Pacific, for a new era of communications.

FILMART and EntertainmentPulse open today

Over 750 exhibitors seize opportunities in entertainment

  • As Asia’s largest entertainment content marketplace, FILMART welcomes some 750 exhibitors from over 25 countries and regions and more than 30 regional pavilions
  • HKTDC and the Department of International Trade Promotion (DITP) of the Thai Ministry of Commerce signed MoU to strengthen trade and business ties
  • FILMART debuts virtual production studio in collaboration with Votion Studios, showcasing the latest in production techniques and real-time content generation
  • The Entertainment Expo, encompassing 10 major events, including FILMART and EntertainmentPulse, held its opening ceremony this afternoon

Opening Art March 2024 in Hong Kong, the Hong Kong International Film and TV Market (FILMART) and EntertainmentPulse, held from 11 to 14 March, bring together leading industry figures from around the world to showcase the latest cinematic masterpieces and ground-breaking technologies as well as share their insights.

As part of the month-long Entertainment Expo (EE), the two events offer a treasure trove of content, shining a spotlight on Hong Kong’s diverse creative industries and cementing our city’s position as an East-meets-West centre for international cultural exchange.  They also embrace the digital realm, providing an online platform to promote IP projects and facilitating opportunities for participants to expand their reach in the international market, while reinforcing Hong Kong’s status as a regional IP trade hub.

The Entertainment Expo (EE), organised by the Hong Kong Trade Development Council (HKTDC) and sponsored by Create Hong Kong, the Film Development Fund and Hong Kong SAR Culture, Sports and Tourism Bureau, held its opening ceremony this afternoon. It was officiated by Eric Chan, Chief Secretary for Administration of the Hong Kong SAR, Kevin Yeung, Secretary for Culture, Sports and Tourism of the Hong Kong SAR, Dr Peter K N Lam, Chairman of the HKTDC, Shi Zhi-yan, Second-Grade Counsel of the Hong Kong, Macao & Taiwan Affairs Office of China’s National Radio and Television Administration (NRTA) and Hong Kong entertainment ambassador Leon Lai as well as representatives from event organisers and supporting institutions.

Dr Lam said, “Over the past 20 years, we have worked with different film and entertainment organisations to create this mega event and bring together the best and brightest in entertainment from around the world to Hong Kong to facilitate dialogue and collaboration, strengthening Hong Kong’s role as a premier hub for business and entertainment. For its 20th edition, the Entertainment Expo brings together 10 industry events to showcase the many facets of Hong Kong’s film, TV, music and digital entertainment sectors.”

He noted that “One of the Expo’s flagship events is FILMART, Asia’s largest entertainment content marketplace for filmmakers, distributors, buyers and investors to show their work, engage in dialogue and explore collaboration opportunities. EntertainmentPulse, which runs parallel to FILMART,.gathers global industry leaders for engaging conversations on a variety of industry topics and for collaboration opportunities.”

FILMART features the first-ever virtual production studio
This year, FILMART welcomes some 750 exhibitors from over 25 countries and regions. It features more than 30 regional pavilions, including first-time exhibitors from Hubei, Indonesia, and Macau.

The Thai Ministry of Culture set up a dedicated Thai Pavilion and organised Thai Day on the first day of FILMART. To strengthen bilateral trade ties, the HKTDC and the Department of International Trade Promotion (DITP) of the Thai Ministry of Commerce signed an MoU.

This year’s exhibition sees a significant presence of exhibitors from Mainland China, including industry giants, such as Alibaba Culture Entertainment and Bilibili who are participating for the first time. Other prominent exhibitors include Huace, iQIYI, Shanghai Youhug Media and Tencent, showcasing their latest productions.

Exhibitors from Hong Kong, such as Media Asia, Emperor Motion Pictures, Edko Films, Golden Scene, Mandarin Motion Picture, One Cool Pictures, PCCW Media, and Universe Films set up booths to showcase their upcoming films and projects.

Additionally, the Hong Kong Design Institute held the opening ceremony of its virtual production studio and announced they will set up the Hong Kong’s largest virtual production training centre in Shaw Studios. First-time participant Hong Kong Baptist University showcases the latest AI, visualisation and human-machine interaction technologies applied in film creation.

FILMART has partnered with Votion Studios, a Hong Kong-based creative tech company, to set up a virtual production studio at the event. This marks the first time such a studio has been featured at FILMART to showcase the latest advances in production techniques and real-time content generation.

Media partners attending FILMART can conduct on-site interviews and create real-time content, leveraging this cutting-edge technology. Moreover, the event’s online platform serves as a hub for showcasing and promoting exhibitors’ creative IPs, offering professional business recommendations and business matching services during and after the event.

FILMART showcases some 30 sessions of various events to foster knowledge-exchange and facilitate connections, including press conferences, project showcases, seminars, networking events and more.

Notably, the inaugural Rhythm of Martial Arts Music Concert took place today led by Music Director Dr. Mui Kwong Chiu. The concert highlighted the exceptional talents of six renowned film music composers, including Richard Yuan, Peter Kam, Punk Chan, Leon Ko, Julian Chan and Lam Kwan-fai. Popstars Deep Ng and Edmond Tong delivered captivating performances of iconic theme songs from classic Hong Kong films. The event also featured a special guest appearance by Thai film composer Terdsak Janpan.

EntertainmentPulse brings together heavyweight industry leaders
At the 3rd EntertainmentPulse, global industry leaders discuss a wide range of topics, including Hong Kong-Europe-Asia co-productions, development of streaming, globalisation of Chinese and ASEAN content as well as generative AI content.

The forum kicks off with the “Dialogue with Pioneers: Prospects of AI Generative in the Entertainment Industry“, which features Wang Yu, Magazine Editor of The Chinese Film Market and film producer, Fu Binxing, President of Huace Film & TV, and Chen Jihong, Partner at Zhong Lun Law Firm. The panel will explore how the industry can seize and leverage the opportunities brought by AI-generated content as well as address challenges related to core business integration, copyright protection and infringement,  R&D and talent investment.

Louis Boswell, CEO of Asia Video Industry Association, engages in dialogue with Kelvin Yau, Vice President of International Business Department of iQIYI, and Winradit Kolasastraseni, President of True Digital Group’s Digital Media Department, to discuss the latest developments and opportunities of the Direct-to-Consumer (D2C) model of streaming platforms.

Over the years, Hong Kong cinema has produced many box office hits, with a significant number by emerging filmmakers. “Meeting of Brilliance: A Dialogue between Two Generations of Filmmakers on Hong Kong Movies” features renowned film critic Thomas Shin, Fly Me to the Moon director Sasha Chuk and film producer Stanley Kwan as well as Dust to Dust producer Soi Cheang and director Jonathan Li, representing two generations of Hong Kong film.

Hong Kong International Film Festival (HKIFF) industry programme provides filmmakers with opportunities
The HKIFF industry programme selected a number of projects for funding from a record-breaking 460 submissions from 48 countries and regions. Covering diverse genres and themes, these include projects filmed by acclaimed filmmakers and producers, such as Koji Fukada, Michael J. Werner, Zhang Lu and Guan Hu.

The Hong Kong-Asia Film Financing Forum (HAF) is an integral part of the newly expanded HKIFF industry programme. At HAF this year, 10 directors are making their debut and seven film projects from Hong Kong will be featured.

As Asia’s most significant financing platform, HAF has facilitated the successful distribution of over 213 feature film projects since its establishment in 2000. It is held concurrently with the inaugural HKIFF Industry-CAA China Genre Initiative (HCG), which supports the development of Chinese genre films.

FILMART and EntertainmentPulse
Date: 11 – 14 March 2024
Website:
FILMART — www.hktdc.com/hkfilmart/en
EntertainmentPulse — entertainmentpulse.hktdc.com/en
Programme — hkfilmart.hktdc.com/conference/hkfilmart/tc/programme

Entertainment Expo
Date: 24 February – 14 April 2024
More details:
Three founding events:
Hong Kong International Film and TV Market (FILMART)
Hong Kong International Film Festival (HKIFF) 
Hong Kong Film Awards Presentation Ceremony (HKFA)

Seven core events:
Asian Film Awards (AFA)
Asia Video Summit
Digital Entertainment Summit (DES)
EntertainmentPulse
Hong Kong-Asia Film Financing Forum (HAF)
Independent Film and Video Media Festival (ifva)
Microfilm Production Support Scheme (Music).

Photo Download: https://bit.ly/4cnIMpV

The 28th Hong Kong International Film and TV Market (FILMART) attracts over 750 exhibitors from more than 25 countries and regions
The Entertainment Expo kick-off ceremony officiating guests include Eric Chan, Chief Secretary for Administration of the Hong Kong SAR (sixth from the right), Dr Peter K N Lam, Chairman of the HKTDC (seventh from the right), Kevin Yeung, Secretary for Culture, Sports and Tourism of the Hong Kong SAR (fifth from the left), Margaret Fong, Executive Director of HKTDC (fourth from left), Hong Kong entertainment ambassador Leon Lai (fourth from right) and representatives from the Expo’s collaboration partners. 
Dr Peter K N Lam, Chairman of the HKTDC, delivers welcome remarks during the kick-off ceremony.
Eric Chan, Chief Secretary for Administration of the Hong Kong SAR, delivers an opening speech at the kick-off ceremony.
The Hong Kong Trade Development Council and the Department of International Trade Promotion (DITP) of the Thai Ministry of Commerce signed an MoU to strengthen trade and business ties.
FILMART features a virtual production studio for the first time, showcasing the latest production techniques and real-time content generation on-site.
FILMART showcases some 30 sessions, including press conferences, film premieres, project showcases, seminars, networking events and more.

Media enquiries
For enquiries, please contact:
Raconteur PR:
Betsy Tse, Tel: (852) 9742 7338, Email:betsytse@raconteur.hk
Molisa Lau, Tel: (852) 6187 7786, Email:molisalau@raconteur.hk

HKTDC Communication and Public Affairs Department:
Snowy Chan, Tel: (852) 2584 4525, Email:snowy.sn.chan@hktdc.org
Agnes Wat, Tel: (852) 2584 4554, Email:agnes.ky.wat@hktdc.org

HKTDC Newsroom: http://mediaroom.hktdc.com/en

About HKTDC
The Hong Kong Trade Development Council (HKTDC) is a statutory body established in 1966 to promote, assist and develop Hong Kong’s trade. With 50 offices globally, including 13 in Mainland China, the HKTDC promotes Hong Kong as a two-way global investment and business hub. The HKTDC organises international exhibitions, conferences and business missions to create business opportunities for companies, particularly small and medium-sized enterprises (SMEs), in the mainland and international markets. The HKTDC also provides up-to-date market insights and product information via research reports and digital news channels. For more information, please visit: www.hktdc.com/aboutus. Follow us on Twitter @hktdc and LinkedIn

Bona Film Group invests in Hollywood blockbusters including “Avatar Franchise” via TSG Entertainment

OnDecember 31, 2023, Bona Film Group Co., Ltd. (001330.sz) (the Bona), a well-known film group company in China with a whole industry chain layout, today announced that it has extended and expanded its relationship with TSG Entertainment Finance LLC (the TSG), a leading film and entertainment company. Bona has previously co-invested with TSG in a slate of films including The Martian, Independence Day: Resurgence, The Greatest Showman, War for the Planet of the Apes, Miss Peregrine’s Home for Peculiar Children, Alien: Covenant, X-Men: Apocalypse.

“Bona is positioned as an international film company, and in the future, we hope to shoot diverse and international genres of movies. We are very excited to continue our eight-year partnership with TSG.” said Bona’s founder, Chairman and CEO, Mr. Yu Dong. “Through this expanded venture, Bona will become a new participant via TSG in the Avatar and Deadpool franchise and continue our involvement in The Planet of The Apes and Alien franchise in addition to many other dynamic upcoming films”

Chip Seelig, Managing Member of TSG Entertainment said, “I am thrilled to continue our partnership with Bona and Yu Dong, one of our oldest and most important relationships in the film industry. The Chinese market provides us with rare opportunities, and we also hope to help further develop the Chinese market.”

Online Video Remains the Growth Engine of Content Investment with Local Content Still Key to Acquiring Subscribers

The Asia Video Industry Association held its annual OTT Summit in Singapore on 5 December, where over 90% of the speakers were senior female executives from across the video industry in Asia Pacific. This year’s summit was designed to try and redress the gender imbalance seen in many industry conferences.

The Summit opened with Dhivya T, Lead Analyst, Head of Content & Platform Insights, Media Partners Asia, presenting an overview of the state of streaming in Asia, a market where competition was very much driven by a battle for share of time, with premium video on demand (VOD) fighting with social media and user-generated content (UGC). 

Competition was also giving rise to new business models and strategies beyond the traditional AVOD and SVOD models, including mobile gaming, ecommerce and bundle subscriptions becoming more common. And with a higher focus in increasing ARPUs, price increases have also become prevalent.

Ex-China, online video revenues in Asia Pacific were expected to hit US$46 billion in 2028, up from US$29 billion this year. While SVOD was expected to have a CAGR of 6.4 percent, premium AVOD will see a growth rate of almost 18 percent, led by Japan, India, and Korea. In Southeast Asia, Indonesia was emerging as the leading market for AVOD, with Thailand for SVOD.

In terms of content trends and investment, although pay TV remained the largest vertical, online video was the growth engine of video content investment, with local and Asian content leading premium VOD viewership with the highest reach. Hence local content remained key to acquiring subscribers in the region, and constantly over-indexing with new users.

In the world of streaming, Free Ad-Supported Streaming TV (FAST) was also much talked about at the Summit as the new kid on the block, as it mimicked the experience of linear TV, delivering scheduled content, with advertising included. Driving the growth of FAST in Asia was the penetration of Smart TVs in the region, with 80% of OTT viewers in APAC using Connected TV (CTV), and with one-third of OTT viewing on CTV, shared Samantha Cooke, Head of Product Marketing, Samsung Ads APAC. But FAST channels were not always about making money, as FAST was also used for marketing, outreach and brand building, added Roberta Cambio, Senior Product Marketing Manager, Brightcove.

Senior marketeers from the major platforms too chimed in on the importance of brand building, as the mantra was no longer acquiring subscribers at all costs but focus on keeping the ones you have. For Anuja Trivedi, Chief Marketing Officer, Shemaroo Entertainment, marketing was now more aligned to the business, as consumers who saw campaigns engaged better as well. And partnerships which built more value can only build more excitement for the product and engagement for the platform, said Trivedi. Sarah Lim, Senior Solutions Engineer, Akamai Technologies, also added that people, platform and the technology were what will help drive your strategy forward for the future. “Marketing is greater than the sum of its parts,” said Lim.

With 71% of viewers in APAC watching advertising supported streaming on top of linear TV viewing, Chloe Neo, Chair for Media & Measurement, AAMS & CEO, OMG Singapore, was also seeing growth from regional clients with a greater inclination to look at branding, with the reallocation of budgets into OTT tending to be from the big brands, due to their expectations on quality content. While investment was coming from the linear TV side, more clients were now embracing CTV and addressability for strategic benefit, and not just for incremental reach, added Anita Munro, CIO, Southeast & North Asia, Chair, APAC Investment Committee, GroupM.

A strong focus on content closed off the Summit, with panellists agreeing that Asian content could not be lumped together. There was huge variety within what is labelled Chinese or Indian content. Nimisha Pandey, Chief Content Officer, Hindi Originals, ZEE5, emphasised that story telling trumped investment. “Audiences don’t care how much money has gone into content, if it connects, it connects,” she said.

Marianne Lee, Chief of Content Acquisition and Development, Viu, noted, “Each local market has their own strategy which complements the regional strategy. While it is important for the content to travel outside, the content must also do well locally,” said Lee. In agreement, Agnes Rozario, Director of Content, ASTRO, added, “There will always be certain types of content that travel better than others. But it has to work in the home market first.”

One market which saw things a little differently was Thailand where Kirana Cheewachuen, Deputy Director, Planning & Business Development, Strategic Content Group, True Corporation, saw huge potential in the overseas growth and popularity of Thai content, and international success was her primary goal.

Sharing her strategy for the Pacific Rim in the closing session, Beverley McGarvey, EVP, Chief Content Officer & Head of Paramount+, Paramount ANZ, said that Australia was a mature market at a pivotal point now as audiences were adjusting between more traditional legacy media and streaming. Hence accelerating growth in streaming while maintaining linear businesses and making content that can work across platforms was what was needed in order to remain viable.

The OTT Summit is proudly sponsored by Gold Sponsors Brightcove, INVIDI, Nagra, Warner Bros Discovery; Silver Sponsors Akamai, Broadpeak, CDNetworks, Irdeto, Moloco, Publica, PubMatic, Shemaroo; Bronze Sponsor Dolby.

About the Asia Video Industry Association

The Asia Video Industry Association (AVIA) is the trade association for the video industry and ecosystem in Asia Pacific. It serves to make the video industry stronger and healthier through promoting the common interests of its members. AVIA is the interlocutor for the industry with governments across the region, leads the fight against video piracy through its Coalition Against Piracy (CAP) and provides insight into the video industry through reports and conferences aimed to support a vibrant video industry.

For media enquiries and additional background please contact:
Charmaine Kwan
Head of Marketing and Communications
Email: charmaine@avia.org
LinkedIn: www.linkedin.com/company/asiavideoia | Twitter: @AsiaVideoIA

Romrez Drops Show on NEWHD NY & NEWHD LA

NEWHD New York, Where Rock Lives, NEWHD Los Angeles, LA’s Rock and Pop, and VNUE Radio are thrilled to announce the launch of NEWHD EDM with the introduction of a dynamic new show hosted by ROMREZ, hailing from Tel Aviv.

Starting this weekend, ROMREZ will take the airwaves by storm with an electrifying show that is set to redefine the EDM scene. Tune in every Saturday night from 10:00 PM to 12:00 AM locally on NEWHD NY and NEWHD LA, and don’t miss out on the encore presentation every Sunday night from 10:00 PM to 12:00 AM on VNUE Radio.

Zach Martin, the founder of NEWHD Media, expresses his enthusiasm for this new venture, stating, “Music is a healing force and brings people of all backgrounds together.” This sentiment lies at the heart of the NEWHD mission.

To join the EDM revolution, listeners can access the show by downloading the NEWHD Radio App or by tuning in via TuneIn or the Audacy App. Don’t miss the chance to be part of this exciting musical journey.

In addition, we encourage everyone to support NEWHD’s mission and its efforts to bring people together through music. To contribute, simply text “NEWHD” to 44321 and be a part of this meaningful cause.

About Romrez

Hailing straight out of Tel Aviv, Roman Reznick (aka: Romrez) is an Israeli based DJ, Artist and Producer. For over 20 years, his electrifying DJ Sets have been a mainstay in Tel Aviv’s underground Trance and EDM scene that has encompassed over 100+ Global Releases, collaborations and live sets. Romrez has developed a sound that lies somewhere deeper towards end of the EDM Scene incorporating a spatial plethora of both sight and sound.  Romrez has been a pioneer across multiple trance genres incorporating inspirations from analog synths, drum machines and deep tech melodies that sends your mind wondering while uplifting your spirit.

Romrez Beatport Channel: https://www.beatport.com/artist/romrez/114659

About NEWHD Media 

NewHD is not just about music; it’s also about making a difference. By providing job opportunities for autistic individuals, those with disabilities, and veterans, the organization exemplifies its commitment to inclusivity and supporting those who need it most.(https://www.newhdmedia.com/) 

About Sophia’s Mission

Sophia’s Mission / NEWHD Media is dedicated to fostering inclusivity advocating and creating job opportunities in the radio industry for Autistic people and disabled veterans. (https://sophiasmissionus.org/)

For more information, please contact:
Zach Martin
Email: Contact@newhdmedia.com
Phone: 212-287-5792
Web: www.newhdmedia.com
Twitter: https://twitter.com/newhdradio        
Facebook: https://www.facebook.com/newhdradio/

InfoComm India 2023 Wraps Up with Record-Breaking Success

InfoComm India 2023, held from 25 to 27 October at Jio World Convention Centre (JWCC) in Mumbai, has concluded with resounding success. The annual Professional AudioVisual (Pro AV) and Transformative Technology show has welcomed 12,026 business visitors on an expanded show floor, marking a new milestone in its impressive history.

India’s Growing Market

The exhibition area witnessed a remarkable 19% expansion, accommodating 190 exhibiting companies, including 18 first-time participants alongside an impressive contingent of 160 high-level hosted buyers from the public and private sectors. The event attracted an unprecedented 12,026 visitors over the course of the three days, all eager to explore the latest innovations to meet their organisational needs and drive progress. Professors and students from Shreemati Nathibai Damodar Thackersey (SNDT) Women’s University joined the event to gain insights into the Pro AV industry, emphasising the importance of InfoComm India and AVIXA’s (Audiovisual and Integrated Experience Association) role in shaping the future of Pro AV professionals.

Reflecting on the event’s tremendous success, June Ko, Executive Director of InfoCommAsia, remarked, “The latest InfoComm India has not only attracted greater numbers but also a diverse range of business visitors from key growth industries such as technology, education, healthcare broadcast and media as well as enterprise solution users. The diversified participation and increased levels of transactional conversations point to an active Indian marketplace and highlights InfoComm India as a key gateway for global brands into these vital sectors.”

New Entrants and Cutting-Edge Products

This year’s event featured an exceptional number of new and innovative entrants to the industry. Eighteen first-time exhibitors, including ALTEX Corporation, Arihant Infosys, Basssfx, Fohhn Audio AG, Shree InfoTech, Softlogic, Vestel Visual Solutions, made their first InfoComm India appearance, injecting new energy and opportunities into the show.

For exhibitors seeking an unparalleled platform to introduce their latest innovations and make inroads into new markets, InfoComm India shines as the unanimous choice. Among the well-established brands that showcased their latest offerings were AET’s fine-pitch LED 80 series, BenQ’s Google EDLA-certified board, Christie’s unique foldable LED screen, ViewSonic’s “UNIVERSE” metaverse-based education solution, and many others.

Notably, AERO Digital World unveiled their life-sized holographic display, a solution made for museums and similar contexts, as well as two new prototypes for market testing; and Pink Noise Professionals, a system integrator and distributor, introduced their very own brand ErthPot, offering audio technologies and conferencing solutions.Vijay Sinha, Director of Sales and Marketing of Pink Noise Professionals enthused: “InfoComm India is the only show that stands out because all major dealers and consultants visit this show.”

“InfoComm India is a very important fixture for us. We get a good representation across the verticals at this show. Everyone who matters is here,” said Amar Subhash, Vice President and General Manager, Asia Pacific and India at Harman.

Empowering Decision-Makers and End-UsersInfoComm India delivered invaluable learning opportunities for senior decision-makers and end-users through its exclusive hosted buyer program and engaging summit sessions. These platforms allowed attendees to gain insights, connect with industry leaders, and stay ahead of the curve in a rapidly evolving landscape.

The show saw 160 influential hosted buyers from various government agencies, including education, healthcare, defence and security, smart cities and urban planning, tourism, transportation, and citizen services. Additionally, there were also buyers from the education, construction, and tech industries who were seeking the latest innovations to enhance growth and user experience. The hosted buyers were provided with curated show floor tours, personal introductions to key solution providers and hands-on experience with the latest technologies and products.

Hosted Buyer Pradeep Kumar Sharma from University of Engineering & Management UEM Jaipur said: “InfoComm India 2023 is an excellent platform for different sectors like education and government organisations to participate and gain insights into emerging technologies and how they can be used in their organisations.”

In an exceptional convergence of knowledge and inspiration, the InfoComm India Summit, featuring over 40 sessions, provided attendees with transformative insights and valuable takeaways.

Summit speaker Jayant Kadam, Vice President – Service Delivery & Operations of Aegon Life commented, “InfoComm India is a must-attend show. It is a gathering of lots of like-mined people sharing their expert knowledge. The show has been amazing for me; I got to meet with leading industry experts, exchange ideas, and talk about collaborations.”

Summing it well is Ravi Shetty, Vice President of Shivam Technologies, “I attend InfoComm India every year to see new products and launches. This is a must-attend show for me!”

Ko concluded, “The overwhelmingly positive response from participants underscores the value and impact of our show. As we celebrate the success of InfoComm India 2023, we remain dedicated to delivering pertinent and high-quality content to inspire the Pro AV community. We look forward to working with our esteemed partners and collaborators for another exceptional show next year.”

Anticipation for a Larger Showcase with Expanded HallsAt the close of the show, the total exhibition space rebooked to 2024 edition surpassed this year’s net square metres by 7.5%. Next year’s event will occupy JWCC Pavilions 1 to 3, along with an expanded show floor at Jasmine Hall.

InfoComm India 2024 is scheduled for 3 to 5 September at Jio World Convention Centre in Mumbai. For more information, visit www.infocomm-india.com.

About InfoCommAsia

InfoCommAsia Pte. Ltd. is the region’s preeminent organizer of tradeshows for the Professional AudioVisual (Pro-AV) and Transformative Solutions industries. Through industry-leading shows for Asia, China, and India, InfoCommAsia connects global and regional solution providers, vertical market end-users and the supply chain with the most important markets of Asia Pacific.

Additional information is available at: infocomm-china.com | infocomm-india.com | infocomm-asia.com

For more information, please contact:

Rest of the World
Angie Eng
Marketing Director
InfoCommAsia Pte Ltd
angieeng@infocommasia.com

India
Sooraj Dhawan
Director
Falcon Exhibitions Pvt Ltd
sooraj@falcon-mail.com

Spikes Asia 2024 opens for Awards submissions, including new Gaming Spikes and closes the Mobile Spikes

Spikes Asia, APAC’s most prestigious and sought-after award for creativity and marketing effectiveness, has announced today that submissions are open for 2024, in addition to revealing the Jury President line-up.

2024 sees the highest number of markets represented across the 13 industry experts, which are: Australia, Mainland China, India, Japan, New Zealand, the Philippines, Singapore, South Korea and for the first time, a Taiwan-based agency. Alice Chou, Chief Creative Officer, Dentsu Creative, Taiwan, who will preside over theDirect and Outdoor Juries, said: “Spikes Asia is a pivotal creative platform in Asia, and I’m very honoured and thrilled to be representing the first Taiwan-based agency on the Jury President line-up. In this era of profound change, old orders crumble, new platforms emerge, everything is undergoing reinvention. As technology advances, creativity must embrace human wisdom to connect with people, spark conversations, and invitethem into this wonderful playground, and take action in the direction we envision. At this moment, as we’re still capable of reshaping the present, I hope to see more remarkable works uniting people and weaving ashared vision of the future we desire.” The Jury Presidents will convene in Singapore with their Juries next yearto set the benchmark for creative excellence in APAC for a 37th edition.

Spikes Asia has also announced changes to the 2024 Awards. New for 2024 are the Gaming Spikes, whichwill celebrate creative work that connects people to brands through gameplay. Submissions will need to demonstrate how brands successfully tapped into complex gaming communities and seamlessly added real value to the overall gaming experience, while driving commercial success. Inaugural Jury President of the Gaming Spikes, Joey David Tiempo, Founder & CEO, Octopus & Whale, the Philippines, commented: “Being the President of the Entertainment, Music, and Gaming Jury at Spikes Asia is a tremendous honour, especially with the exciting addition of the Gaming Spike in 2024. Gaming has evolved into a cultural force, infusing its creative potential into marketing that connects with dedicated communities around the world. It’s thrilling to witness this alongside the groundbreaking strides in entertainment and music. Asia’s longstanding dominance in gaming is finally being recognized – a testament to the incredible talent and innovation thriving in this dynamic region. Let’s embrace the future of creativity!”

Other changes include the Strategy & Effectiveness Spikes evolving into the Creative Strategy Spikes, celebrating the idea behind the idea and highlighting how strategic planning has the power to reshape a brand, transform its business and shape consumer behaviour. The Media Spikes has been refreshed, with a dedicated section for Media Agencies and the Mobile Spikes has been retired to reflect how mobile-led creativity has been expanding into almost every Spike. More information on the Awards can be found here.

The Spikes Asia 2024 Jury Presidents have been named as:

Brand Experience & Activation, Creative Commerce, Glass: The Award for Change, Integrated and Grand Prix for Good Jury President:
Valerie Madon, Chief Creative Officer, APAC, McCann Worldgroup, APAC

Creative Data and Innovation Jury President:
Mandy Hou, Chief Digital Officer, EssenceMediacom, Mainland China

Creative Effectiveness and Creative Strategy Jury President:
Aditya Kanthy, CEO and Managing Director, DDB Mudra Group, India

Design and Industry Craft Jury President:
Takahiro Hosoda, Chief Creative Officer, TBWA\HAKUHODO, Japan

Digital Craft and Social & Influencer Jury President:
Jax Jung, Global Creative Director, Cheil Worldwide, Global

Direct and Outdoor Jury President:
Alice Chou, Chief Creative Officer, Dentsu Creative, Taiwan

Entertainment, Gaming and Music Jury President:
Joey David Tiempo, Founder & CEO, Octopus&Whale, The Philippines

Film Jury President:
Tony Bradbourne, Founder, Special, New Zealand

Film Craft Jury President:
Rob Galluzzo, CEO, FINCH, Australia

Healthcare Jury President:
Lyndon Louis, Executive Creative Director, BrandCare Asia, India

Media Jury President:
Sapna Nemani, Chief Solutions Officer, Publicis Groupe, APAC

PR Jury President:
Emily Poon, President, Asia, Ogilvy Public Relations, APAC
Print & Publishing and Radio & Audio Jury

President:
Guan Hin Tay, Creative Chairman, BBDO, Singapore

Commenting on the Jury President line-up, Simon Cook, CEO, LIONS, said: “The Jury Presidents have avital role to play in upholding the integrity of the Spikes Awards, as well as setting the creative benchmark for the industry in APAC. We’re excited to welcome a record number of markets to the Jury President line-up for 2024 and we wish them luck for the important task ahead of them. The introduction of the Gaming Spikes is anexciting evolution of the Awards and our belief is that this Award will offer a new benchmark, and shine a spotlight on creative work that sits at the intersection of brands, creativity, gaming, customer experience and communities.”

Event registration is now open, and entries into Spikes Asia are being accepted until 1 February 2024. Further information on Spikes Asia can be found at www.spikes.asia.

About Spikes Asia

Spikes Asia, the home of Asia-Pacific creativity, is the region’s oldest and most prestigious awards for creativeadvertising. Building on over 35 years of the illustrious Spikes Awards and Tangrams Strategy & Effectiveness Awards,Spikes Asia is the result of a collaboration between Ascential, the organiser of Cannes Lions and Haymarket, publisher ofCampaign Asia-Pacific.

Spikes Asia celebrates creative excellence in the Asia-Pacific region alongside learning and networking opportunities. The Awards serve as the deffinitive benchmark for creative excellence, marketing strategy and effectiveness in Asia-Pacific. www.spikes.asia

About Ascential

Ascential delivers specialist information, analytics, events and eCommerce optimisation to the world’s leading consumerbrands and their ecosystems. Our world-class businesses improve performance and solve customer problems by delivering immediately actionable information and visionary longer-term thinking across Digital Commerce, Product Design, Marketing and Retail & Financial Services.

With more than 3,800 employees across five continents, we combine local expertise with a global footprint for clients inover 120 countries. Ascential is listed on the London Stock Exchange. www.ascential.com

About Haymarket

Haymarket Media Group creates award-winning specialist content and information for international audiences. The company has more than 70 market-leading brands created by world-class experts in locations in the UK, the US,Hong Kong, Singapore, India and Germany. Haymarket’s consumer and professional brands connect people and communities across digital, mobile, print and live/virtual media platforms. Although Haymarket’s portfolio is diverse, its mission is the same across borders and markets: to deliver brand experiences which truly meet the needs of its audiences and clients. Haymarket’s brands include Campaign, PRWeek, What Car?, Autocar, AsianInvestor andFinance Asia. www.haymarket.com

Contacts:

Jaime Ng Festival Director Spikes Asia
Jaimen@spikes.asia

Camilla Lambert Head of Press & PR Spikes Asia
Camillal@canneslions.com

Tash Naidoo PR Manager SpikesAsia
Tashn@canneslions.com

Press Portal:
press.canneslions.com